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Last updated: 13 Jun 2026 at 19:24 UTC

Movie Reviews by Sheila O'malley - Page 10 of 24

181-200 of 474 Reviews

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Review of Gloria Bell (2019)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 07 Mar 2019

In some moments, Gloria Bell is almost an exact recreation of the original, in shot construction and edit choices, even in dialogue (the script…

Review of Climax (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 01 Mar 2019

Watching all of those clips drove home how dance cinematography like this is mostly — and sadly — a lost art…

Review of Destroyer (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 25 Dec 2018

This is a pretty rote story, and many of the plot points beggar belief, but Kusama's flourishes help somewhat to elevate the material into…

Review of Vox Lux (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 07 Dec 2018

The film is an onslaught, sometimes silly, sometimes profound, but always riveting and emotional, and dazzlingly sure of itself…

Review of Write When You Get Work (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 23 Nov 2018

There are some interesting things going on, and some insight into New York's economic hierarchy, but the film veers off into a hard-to-believe…

Review of Postcards from London (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 09 Nov 2018

The film is best when it doesn't take itself too seriously. Unfortunately, for the most part it takes itself very seriously…

Review of The Long Dumb Road (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 09 Nov 2018

Fidell trusts the dynamic between her two main actors, and allows them a lot of leeway…

Review of Searching for Ingmar Bergman (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 02 Nov 2018

An engaging and accessible look at one of the most important figures in cinema…

Review of Bohemian Rhapsody (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 30 Oct 2018

Bohemian Rhapsody is bad in the way a lot of biopics are bad: it's superficial, it avoids complexity, and the narrative has a connect-the-dots…

Review of Burning (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 26 Oct 2018

It's a great film, engrossing, suspenseful, and strange…

Review of Burning (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 25 Oct 2018

It's a great film, engrossing, suspenseful, and strange…

Review of mid90s (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 18 Oct 2018

The strength of Mid90s lies in its small observations about a very tight sub-culture, and what that sub-culture provided its most devoted adherents…

Review of The Sentence (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 11 Oct 2018

It's an emotionally exhausting film — but a little bit of perspective might have resulted in an even more politically urgent document…

Review of The Happy Prince (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 09 Oct 2018

This is Everett's first film as a director, and there are times when it shows…

Review of Private Life (2018)

By Sheila O'malley (474) for Film Comment Magazine (842) on 04 Oct 2018

Hahn is one of the best actresses working today, and it's a thrill to see her at the center of a film, jagged with heartbreak, rage, hormones…

Review of All About Nina (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 27 Sep 2018

All About Nina has moments of stark tragedy alongside the vivid comedy, plus a third-act revelation of what has made Nina so angry…

Review of Nappily Ever After (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 20 Sep 2018

Nappily Ever After is as much a polemic as it is anything else…

Review of Lizzie (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 13 Sep 2018

The frustration with Lizzie is that a lot of it works, but the style - elegant, hushed, and period-appropriate - acts as a damper on all the…

Review of A Simple Favor (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 13 Sep 2018

What a relief to watch a film unafraid of letting its hair down…

Review of City of Joy (2016)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 07 Sep 2018

City of Joy is devastating and enraging, but the strength of the women profiled, their will to survive, to lay claim to their own bodies, is…

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