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Last updated: 22 Jul 2026 at 15:21 UTC

Movie Reviews by Serena Donadoni - Page 3 of 8

41-60 of 158 Reviews

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Review of Detroit (2017)

By Serena Donadoni (158) for Metro Times (Detroit, MI) (691) on 30 Jul 2017

The filmmakers are better at presenting the events of July 1967 than explaining them…

Review of Escapes (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 26 Jul 2017

When Fancher’s weathered visage finally appears, he recounts more regrets than triumphs, but in Almereyda’s affectionate biographical scrapbook,…

Review of Strange Weather (2016)

By Serena Donadoni (158) for Village Voice (8,525) on 26 Jul 2017

In a quivering, bone-deep performance, Hunter takes Darcy from a mother encased in guilt to a woman who can acknowledge her shattering loss…

Review of Blind (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 12 Jul 2017

Moore’s and Baldwin’s forceful personalities power their performances, and these evenly matched partners have now invigorated both a convoluted…

Review of Lost in Paris (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 14 Jun 2017

Fiona Gordon and Dominique Abel’s signature style blends screwball and romantic comedy with playful fantasy, but Lost in Paris lacks the…

Review of Restless Creature: Wendy Whelan (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 24 May 2017

While acknowledging some missteps (such as jumping into a strenuous project too soon after surgery), Saffire and Schlesinger exhibit Whelan’s…

Review of Maurice (1987)

By Serena Donadoni (158) for Village Voice (8,525) on 15 May 2017

Wilby cracks the character's genteel surface, releasing bursts of fear, pride, and relief…

Review of Manifesto (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 11 May 2017

The actress is equally committed, regardless of whether content and context click, but she soars when they do…

Review of Danger Close (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 25 Apr 2017

By focusing on Quade’s absolute respect for military service and authority, Salzberg and Tureaud miss an opportunity to explore her pragmatic…

Review of Alive and Kicking (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 06 Apr 2017

The dancers in Alive and Kicking all share a rapturous expression, and Glatzer makes the case for this Depression-era diversion as a modern…

Review of Speech & Debate (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 05 Apr 2017

Director Dan Harris (Imaginary Heroes) structures Speech & Debate like a musical comedy that's building up to a cathartic final number, but…

Review of Carrie Pilby (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 28 Mar 2017

In her directorial debut, Susan Johnson balances the character's haughty brilliance and aimless privilege with an underlying vulnerability…

Review of The Most Hated Woman in America (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 22 Mar 2017

The Most Hated Woman in America suffers from tonal whiplash…

Review of Cries from Syria (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 09 Mar 2017

His interviews are informative and captivating, but the film’s gut-punch immediacy comes from the astounding visuals caught by participants…

Review of Lavender (2016)

By Serena Donadoni (158) for Village Voice (8,525) on 01 Mar 2017

Gass-Donnelly (The Last Exorcism Part II) blends supernatural elements into a psychological thriller for a kind of spectral therapy, but his…

Review of Donald Cried (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 28 Feb 2017

In a bitterly funny performance, Avedisian lets Donald's freak flag fly, a big-toothed grin lighting up his face, framed by a shaggy haircut…

Review of As You Are (2016)

By Serena Donadoni (158) for Village Voice (8,525) on 21 Feb 2017

Constructed as a mystery, As You Are offers glimpses into intense adolescent bonds, just enough to remind baffled onlookers that they don't…

Review of Sophie and the Rising Sun (2016)

By Serena Donadoni (158) for Village Voice (8,525) on 01 Feb 2017

Greenwald and cinematographer Wolfgang Held linger on the idyllic beauty of the salt marsh and trees draped with Spanish moss, using the vivid…

Review of Between Us (2017)

By Serena Donadoni (158) for Village Voice (8,525) on 05 Jan 2017

Illingworth aims to capture a vital relationship at a crucial turning point, but Between Us fails because Dianne is half-formed…

Review of All We Had (2016)

By Serena Donadoni (158) for Village Voice (8,525) on 07 Dec 2016

The film’s haphazard episodic structure never coheres…

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