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Sarah Ward

Last updated: 13 Jun 2026 at 16:34 UTC

Movie Reviews by Sarah Ward - Page 7 of 27

121-140 of 538 Reviews

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Review of Solo: A Star Wars Story (2018)

By Sarah Ward (538) for ArtsHub (131) on 11 Jun 2018

A jovial jaunt with long-beloved figures, as opposed to a future-thinking continuation…

Review of Chappaquiddick (2018)

By Sarah Ward (538) for Concrete Playground (635) on 11 Jun 2018

Chappaquiddick might work best as an indictment of everything from political dynasties to impropriety among elected officials to society's…

Review of The Gateway (2018)

By Sarah Ward (538) for ArtsHub (131) on 11 Jun 2018

Less resembles a new take on its concept, and more a compilation of previously seen ideas…

Review of Midnight Oil: 1984 (2018)

By Sarah Ward (538) for ArtsHub (131) on 11 Jun 2018

Perhaps it's Argall's efforts to weave in as much as possible that ultimately holds the documentary back rather than thrusts it forward; there…

Review of Wings of Desire (1987)

By Sarah Ward (538) for Goethe-Institute Australien Magazine (25) on 11 Jun 2018

Whether or not Wings of Desire qualifies as the most poetic feature to grace the silver screen, it certainly earns that honour where Berlin…

Review of The Breaker Upperers (2018)

By Sarah Ward (538) for Screen International (2,241) on 06 Jun 2018

A hilarious and heartfelt ode to female friendship…

Review of Breath (2018)

By Sarah Ward (538) for Screen International (2,241) on 24 May 2018

Like taking a dip in alluring yet choppy surf, as its characters do often, it’s equally vivid and calm, swelling with emotion yet still in…

Review of Cargo (2017)

By Sarah Ward (538) for Screen International (2,241) on 16 May 2018

If human resilience remains paramount in zombie films, Cargo goes a step further; here, recognising and redressing the divisive mistakes of…

Review of [Cargo] (2018)

By Sarah Ward (538) for Screen International (2,241) on 16 May 2018

If human resilience remains paramount in zombie films, Cargo goes a step further; here, recognising and redressing the divisive mistakes of…

Review of Last Flag Flying (2017)

By Sarah Ward (538) for ArtsHub (131) on 02 May 2018

While primarily a slow, sombre affair by necessity, the film often draws its narrative out - and can't always find the balance between its…

Review of I Feel Pretty (2018)

By Sarah Ward (538) for Concrete Playground (635) on 02 May 2018

A film about peering beneath the surface, I Feel Pretty ultimately ignores its own advice…

Review of Truth or Dare (2018)

By Sarah Ward (538) for ArtsHub (131) on 02 May 2018

Gleeful in a vapid soap opera-meets-gratuitous slasher flick way, favouring superficial thrills and gags over inventiveness, subversion or depth…

Review of Super Troopers 2 (2018)

By Sarah Ward (538) for ArtsHub (131) on 02 May 2018

There's a difference between moulding past glories into something similar and simply being content to even make a follow-up…

Review of Rampage (2018)

By Sarah Ward (538) for ArtsHub (131) on 02 May 2018

It's the rollicking barrage its title intimates, yet amounts to merely passable entertainment; a minor critter in its habitat, rather than a behemoth…

Review of The Guernsey Literary & Potato Peel Pie Society (2018)

By Sarah Ward (538) for ArtsHub (131) on 02 May 2018

As a title, The Guernsey Literary and Potato Peel Pie Society might be a mouthful, but it couldn't suit this warm, nostalgic post-war drama better…

Review of Isle of Dogs (2018)

By Sarah Ward (538) for Concrete Playground (635) on 02 May 2018

Filled with heart, humour and witty dialogue, this doggone delight is the most Wes Anderson-esque movie the acclaimed filmmaker has ever made…

Review of Avengers: Infinity War (2018)

By Sarah Ward (538) for ArtsHub (131) on 02 May 2018

Like any culmination of a long-running series, there's purpose and emotion as this blockbuster intertwines its many strands, provides a gripping…

Review of The Song Keepers (2017)

By Sarah Ward (538) for Goethe-Institute Australien Magazine (25) on 02 May 2018

As astonishing as the underlying situation remains, and as vibrant as the melodies are to hear, it's the stories behind the choir that resound…

Review of A Wrinkle in Time (2018)

By Sarah Ward (538) for Concrete Playground (635) on 08 Apr 2018

An Oprah-style empowerment lesson for everyone under the age of 15 - pre-teen and teenage girls will be wrinkling their faces with happiness…

Review of Love, Simon (2018)

By Sarah Ward (538) for ArtsHub (131) on 08 Apr 2018

Love, Simon is filled with love and recognition as it takes the high school rom-com template into new Hollywood territory, and it charms in…

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Sarah Ward has written reviews for:

Screen International (2,241)
FILMINK (Australia) (1,405)
Screen Daily (1,021)
Concrete Playground (635)
Trespass (429)
ArtsHub (131)
Flicks.com.au (38)
Goethe-Institute Australien Magazine (25)

Sarah Ward is connected to:

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