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Sarah Ward

Last updated: 13 Jun 2026 at 15:13 UTC

Movie Reviews by Sarah Ward - Page 23 of 27

441-460 of 538 Reviews

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Review of The Light Between Oceans (2016)

By Sarah Ward (538) for Concrete Playground (635) on 13 Nov 2016

Even when the film's efforts to evoke tears are a little too evident, Fassbender and Vikander ensure that everything feels, and looks, utterly…

Review of Nocturnal Animals (2016)

By Sarah Ward (538) for Concrete Playground (635) on 13 Nov 2016

Where A Single Man heaved with emotion as it bewitched the eye, Nocturnal Animals seethes with emptiness…

Review of The Neon Demon (2016)

By Sarah Ward (538) for Concrete Playground (635) on 10 Nov 2016

Refn wants to both lure people in while threatening all the while to spit them out - and he does so in eye-popping fashion, as does his entire cast…

Review of The Rehearsal (2016)

By Sarah Ward (538) for Screen International (2,241) on 11 Sep 2016

Alison Maclean crafts a drama that's as piercing as it is potent…

Review of Our Kind of Traitor (2016)

By Sarah Ward (538) for Trespass (429) on 19 Jul 2016

The feature retains the necessary energy and commitment to mystery that keeps hurtling le Carre's duplicitous dilemmas towards viewers, albeit…

Review of Teenage Kicks (2016)

By Sarah Ward (538) for Screen International (2,241) on 16 Jun 2016

The right stylistic touches and a strong central performance render the familiar both affecting and lingering here…

Review of Goldstone (2016)

By Sarah Ward (538) for Screen International (2,241) on 09 Jun 2016

Goldstone proves a film of harsh landscapes of the physical, psychological and political kind, and of the burdened silences and pointed dialogue…

Review of Chasing Asylum (2016)

By Sarah Ward (538) for Screen International (2,241) on 25 May 2016

Just as successive Australian governments have proven effective in…

Review of The Student (2017)

By Sarah Ward (538) for Screen International (2,241) on 20 May 2016

The end result proves commanding and fascinating, even if it’s not wholly satisfying from start to finish…

Review of Gayby Baby (2015)

By Sarah Ward (538) for Concrete Playground (635) on 24 Apr 2016

[The film] gently works to refute perceptions about societal structures other than the stereotypical, so-called nuclear unit of a mum, dad…

Review of Wide Open Sky (2015)

By Sarah Ward (538) for FILMINK (Australia) (1,405) on 21 Apr 2016

There may be little that's remarkable about the documentary's construction, but there's no escaping the infectious spirit of its subjects,…

Review of Rams (2015)

By Sarah Ward (538) for Concrete Playground (635) on 18 Apr 2016

There's little about this perceptive examination of the bonds of blood, the struggles of farming life, and the importance of finding hope and…

Review of The Jungle Book (2016)

By Sarah Ward (538) for Screen International (2,241) on 02 Apr 2016

Conjuring up a serving of visual magic is one thing, of course; bringing Kipling’s characters and narrative to life is another…

Review of The Jungle Book (1994)

By Sarah Ward (538) for Screen International (2,241) on 02 Apr 2016

Conjuring up a serving of visual magic is one thing, of course; bringing Kipling’s characters and narrative to life is another…

Review of The Jungle Book (1967)

By Sarah Ward (538) for Screen International (2,241) on 02 Apr 2016

Conjuring up a serving of visual magic is one thing, of course; bringing Kipling’s characters and narrative to life is another…

Review of The Witch (2016)

By Sarah Ward (538) for FILMINK (Australia) (1,405) on 24 Mar 2016

Feature debutant Eggers proves a master of mood more than story, though the success of the former overcomes the familiar nature of the latter…

Review of Gods of Egypt (2016)

By Sarah Ward (538) for Screen International (2,241) on 24 Feb 2016

As audience-friendly as they may be, the cast is left wading through the middle ground between the unengaging narrative and over-emphasised…

Review of Trumbo (2007)

By Sarah Ward (538) for FILMINK (Australia) (1,405) on 17 Feb 2016

The end result is a noble-intentioned attempt to pay tribute to the man responsible for writing Spartacus, Roman Holiday, The Brave One, and…

Review of Trumbo (2015)

By Sarah Ward (538) for FILMINK (Australia) (1,405) on 17 Feb 2016

The end result is a noble-intentioned attempt to pay tribute to the man responsible for writing Spartacus, Roman Holiday, The Brave One, and…

Review of The 5th Wave (2016)

By Sarah Ward (538) for Screen International (2,241) on 14 Jan 2016

Like many films designed to double as opening chapters in ongoing screen sagas, The Fifth Wave always feels padded, its focus on establishing…

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Page 23 of 27

Sarah Ward has written reviews for:

Screen International (2,241)
FILMINK (Australia) (1,405)
Screen Daily (1,021)
Concrete Playground (635)
Trespass (429)
ArtsHub (131)
Flicks.com.au (38)
Goethe-Institute Australien Magazine (25)

Sarah Ward is connected to:

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