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Sarah Ward

Last updated: 14 Jun 2026 at 03:55 UTC

Movie Reviews by Sarah Ward - Page 11 of 27

201-220 of 538 Reviews

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Review of Flatliners (2017)

By Sarah Ward (538) for Concrete Playground (635) on 07 Nov 2017

Flat and bland in style, plot and emotion, it's a work completely devoid of interest and scares…

Review of MFKZ (2018)

By Sarah Ward (538) for Screen International (2,241) on 07 Nov 2017

Distinctive 2D animation mixes graffiti-strewn, street-level realism with playful stylisation...for an aesthetically striking, instantly immersive…

Review of Song to Song (2017)

By Sarah Ward (538) for Concrete Playground (635) on 07 Nov 2017

If you're on the film's wavelength, plenty of its beats and rhythms will strike a chord…

Review of The Mountain Between Us (2017)

By Sarah Ward (538) for Concrete Playground (635) on 07 Nov 2017

As much as the actors do with the material, however, they can't quite lift the film beyond standard sappy romance territory…

Review of Thor: Ragnarok (2017)

By Sarah Ward (538) for ArtsHub (131) on 07 Nov 2017

An ode to embracing the glorious ridiculousness of caped crusaders... a hammer throwing, fist-smashing good time…

Review of In Between (2018)

By Sarah Ward (538) for Screen Daily (1,021) on 29 Oct 2017

Touching on the pressures of living in a patriarchal society, as well as exploring attitudes towards nationality and sexuality, the film unpacks…

Review of In Between (2018)

By Sarah Ward (538) for Screen Daily (1,021) on 29 Oct 2017

Touching on the pressures of living in a patriarchal society, as well as exploring attitudes towards nationality and sexuality, the film unpacks…

Review of Loving Vincent (2017)

By Sarah Ward (538) for Screen International (2,241) on 15 Oct 2017

The point of the film is its visual impact. Of a varied colour palette, golds, ochres, rusts and a vivid cornflower blue leap out…

Review of Pulse (2017)

By Sarah Ward (538) for Screen International (2,241) on 15 Oct 2017

The feature's lack of neatness pairs well with its crisp, realism-favouring visuals, as lensed by Cruz-Martin, as well as its performances…

Review of Happy Death Day (2017)

By Sarah Ward (538) for Screen International (2,241) on 10 Oct 2017

Thankfully never taking itself too seriously, the latest Jason Blum-produced comedy-thriller is happy to carve out its spot as the horror-themed,…

Review of Battle of the Sexes (2017)

By Sarah Ward (538) for Concrete Playground (635) on 03 Oct 2017

King and Riggs' famous tussle inspires an engaging, entertaining effort - one that's as much about the showdown at its centre as it is the…

Review of Kingsman: The Golden Circle (2017)

By Sarah Ward (538) for ArtsHub (131) on 03 Oct 2017

Bright and shiny, the end result may be, but it's a by-the-numbers outing with less energy and momentum than its set piece-filled 141-minute…

Review of Gender Wars (2015)

By Sarah Ward (538) for Concrete Playground (635) on 03 Oct 2017

King and Riggs' famous tussle inspires an engaging, entertaining effort - one that's as much about the showdown at its centre as it is the…

Review of Victoria & Abdul (2017)

By Sarah Ward (538) for Concrete Playground (635) on 03 Oct 2017

The kind of film that knows where its strengths reside, and how viewers are likely to react…

Review of The Lego Ninjago Movie (2017)

By Sarah Ward (538) for ArtsHub (131) on 03 Oct 2017

At its best when it embraces just what makes the toys fun…

Review of Patti Cake$ (2017)

By Sarah Ward (538) for Concrete Playground (635) on 03 Oct 2017

[Macdonald's performance is] a star-making turn in a movie that's all about chasing star-making chances, and it comes with excellent support…

Review of Beatriz at Dinner (2017)

By Sarah Ward (538) for Concrete Playground (635) on 03 Oct 2017

Depending on how you feel about dinner parties, Beatriz at Dinner is either an accurate snapshot of getting together for a meal with friends…

Review of Bunch of Kunst - A Film About Sleaford Mods (2017)

By Sarah Ward (538) for Goethe-Institute Australien Magazine (25) on 16 Sep 2017

A probing, potent and propulsive celebration for the already acquainted and a lure for the uninitiated…

Review of Lucky (2017)

By Sarah Ward (538) for Concrete Playground (635) on 16 Sep 2017

This intimate character study revels in Stanton's crumpled gaze, rugged skin and weary expression, as though they're the only things in the…

Review of Lucky (2017)

By Sarah Ward (538) for Concrete Playground (635) on 16 Sep 2017

This intimate character study revels in Stanton's crumpled gaze, rugged skin and weary expression, as though they're the only things in the…

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Sarah Ward has written reviews for:

Screen International (2,241)
FILMINK (Australia) (1,405)
Screen Daily (1,021)
Concrete Playground (635)
Trespass (429)
ArtsHub (131)
Flicks.com.au (38)
Goethe-Institute Australien Magazine (25)

Sarah Ward is connected to:

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