Movie Reviews by Sarah Boslaugh - Page 2 of 28

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Review of Johnny English Strikes Again (2018)

By Sarah Boslaugh (544) for TheArtsStl (28) on 25 Oct 2018

Johnny English Strikes Again has something resembling a plot, some scenic eye candy, and a few fine actors playing backup, but about 90 percent…

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Review of The Happy Prince (2018)

By Sarah Boslaugh (544) for TheArtsStl (28) on 18 Oct 2018

[focuses on] the least interesting period in Wilde's life, his final years of decline, and fails to make a case for why the viewer should care…

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Review of Halloween (2018)

By Sarah Boslaugh (544) for TheArtsStl (28) on 18 Oct 2018

delivers for the most part exactly what an audience comes to a Halloween movie to see…

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Review of The Oath (2018)

By Sarah Boslaugh (544) for TheArtsStl (28) on 18 Oct 2018

The script is remarkably lazy, relying far too much on stereotypes and high-decibel delivery rather than giving the characters anything interesting…

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Review of The Hate U Give (2018)

By Sarah Boslaugh (544) for TheArtsStl (28) on 11 Oct 2018

What I like best about The Hate U Give, which was adapted from a bestselling YA novel by Angie Thomas, is how firmly it keeps its focus on…

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Review of Angels Wear White (2017)

By Sarah Boslaugh (544) for TheArtsStl (28) on 10 Oct 2018

a fast-paced, beautifully-shot thriller set in contemporary China, and a film that would be well worth seeing even if the subject matter…

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Review of Science Fair (2018)

By Sarah Boslaugh (544) for TheArtsStl (28) on 27 Sep 2018

Even if you never competed in a science fair, you can understand and appreciate the creativity and hard work that went in to all the projects…

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Review of Colette (2018)

By Sarah Boslaugh (544) for TheArtsStl (28) on 27 Sep 2018

Collette is not just the story of one woman's coming into her own, but also a blueprint for how to do so when just about all the social, cultural,…

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Review of Lizzie (2018)

By Sarah Boslaugh (544) for PopMatters (2,617) on 20 Sep 2018

Lizzie is a study in how many small cruelties, combined with a monumental imbalance of power, can lead to tragedy…

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Review of The Lost Child (2000)

By Sarah Boslaugh (544) for PopMatters (2,617) on 17 Sep 2018

I really tried to like Lost Child, given the Missouri connection and my interest in folklore, but ultimately I had to admit defeat…

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Review of We the Animals (2018)

By Sarah Boslaugh (544) for TheArtsStl (28) on 13 Sep 2018

a distinctive film that offers not only a new spin on a familiar setup, but tells its story in a particularly appropriate style…

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Review of The Bookshop (2017)

By Sarah Boslaugh (544) for PopMatters (2,617) on 30 Aug 2018

The contrast between our first impressions of Hardborough, a picturesque Suffolk seaside village, and the reality of the town's power structure,…

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Review of The Little Stranger (2018)

By Sarah Boslaugh (544) for PopMatters (2,617) on 30 Aug 2018

even though The Little Stranger is not entirely successful as a psychological horror film, it still has a lot to offer the viewer in terms…

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Review of A Thousand Acres (1997)

By Sarah Boslaugh (544) for PopMatters (2,617) on 27 Aug 2018

an uneasy blend of noble aspirations and overly familiar melodrama, moving uneasily between the epic mode and the ever-so-specific presentation…

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Review of Scotty and the Secret History of Hollywood (2018)

By Sarah Boslaugh (544) for PopMatters (2,617) on 23 Aug 2018

Even if you don't believe every word from his mouth, though, [Scotty is] a lot of fun to listen to, and the general outlines of his story certainly…

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Review of Papillon (2017)

By Sarah Boslaugh (544) for PopMatters (2,617) on 23 Aug 2018

Many dramatic events play out before our eyes, but virtually none of it has any emotional impact…

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Review of Smashing Time (1967)

By Sarah Boslaugh (544) for PopMatters (2,617) on 13 Aug 2018

basically a Laurel and Hardy movie set in 1960s London with female leads…

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Review of The Inkwell (1994)

By Sarah Boslaugh (544) for PopMatters (2,617) on 13 Aug 2018

The Inkwellfeels like a film out of sync with itself, as well as a missed opportunity to explore an aspect of black life that seldom makes…

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Review of McQueen (2018)

By Sarah Boslaugh (544) for PopMatters (2,617) on 12 Aug 2018

captures the humanity of its subject, British fashion designer Alexander McQueen, while also vividly capturing the beauty and transgressiveness…

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Review of What Haunts Us (2017)

By Sarah Boslaugh (544) for PopMatters (2,617) on 30 Jul 2018

…

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