Movie Reviews by Ross Bonaime - Page 7 of 10

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Review of Paris, 13th District (2021)

By Ross Bonaime (185) for Collider (1,032) on 21 Apr 2022

Audiard, Mysius and Sciamma, along with their fantastic cast, create an enchanting and seductive story told through an intimate group of relationships…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Ross Bonaime (185) for Collider (1,032) on 15 Apr 2022

Instead of having to explain this universe, The Secrets of Dumbledore can let us sit with these characters reckoning with the loves they’ve…

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Review of Meet Me in the Bathroom (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Meet Me in the Bathroom is a tremendous document of one of the most integral musical periods of our time, when the kids asked is this it…

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Review of Lucy and Desi (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Lucy and Desi isn’t breaking the mold in terms of biographical documentaries, but when put together in this package, the story of Ball and…

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Review of Emily the Criminal (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Emily the Criminal is an excellent example of how to make an effective thriller on a smaller scale…

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Review of Jackass Forever (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Jackass Forever is ingenious, disgusting, and one of the most hysterical films you’ll see this year, while also managing to be a wonderfully…

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Review of I Want You Back (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

I Want You Back largely relies on the overwhelming charm of its tremendous cast, and in particular, the magnificent dynamic between Slate and…

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Review of Kimi (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

With a great lead performance by Kravitz, a plot that—like the KIMI device itself—is persistently upgrading and shifting, and a shockingly…

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Review of Dual (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Gillan gets a great opportunity to show her comedic skills, and Stearns remains a solid purveyor of dark comedy, but Dual’s gloom eventually…

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Review of The Sky Is Everywhere (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

The Sky Is Everywhere takes a lot of swings that miss, but the heart of the film is in the right place, and when it really works, The Sky Is…

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Review of Death on the Nile (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Death on the Nile might have been a long time coming, but it’s one of the most alluring mysteries in years, and a great example of how Branagh…

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Review of Cha Cha Real Smooth (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

With only two films, Raiff has proven himself to be one of the most exciting filmmakers today, telling stories that are emotionally honest…

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Review of Bigbug (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

After a decade away, Jeunet has returned to embrace all of his worst eccentricities to create an absurd mess…

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Review of Moonfall (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Moonfall, unfortunately, becomes a mixture of Emmerich’s usual clichés that are starting to show their age, a script that only occasionally…

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Review of When You Finish Saving the World (2023)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

When You Finish Saving the World is often acidic to a point that might scare away some, but at its core, Eisenberg’s film is an endearing…

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Review of The Northman (2022)

By Ross Bonaime (185) for Collider (1,032) on 11 Apr 2022

There are few filmmakers that can make the leap from smaller, insular stories into large-scale epics, but with The Northman, Eggers has proved…

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Review of Sonic the Hedgehog 2 (2022)

By Ross Bonaime (185) for Collider (1,032) on 08 Apr 2022

It’s truly impressive that Fowler has found a way to integrate the wild world and characters of the Sonic the Hedgehog games into the real…

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Review of Metal Lords (2022)

By Ross Bonaime (185) for Collider (1,032) on 08 Apr 2022

Metal Lords ends just when it feels like it’s finding its footing, with its characters taking too much time to address their flaws, leaving…

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Review of The Unbearable Weight of Massive Talent (2022)

By Ross Bonaime (185) for Collider (1,032) on 08 Apr 2022

The Unbearable Weight of Massive Talent—even when it doesn’t entirely work—shows the dedication and greatness of Cage, the impressive…

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Review of Tony Hawk: Until the Wheels Fall Off (2022)

By Ross Bonaime (185) for Collider (1,032) on 06 Apr 2022

Until the Wheels Fall Off could’ve maybe explored Hawk’s personal life with a bit more focus, but Jones still creates a captivating, edge-of-your-seat…

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