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Roger Moore

Last updated: 15 Jul 2026 at 14:08 UTC

Movie Reviews by Roger Moore - Page 35 of 301

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Review of Reflection (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 May 2022

Writer-director Valentyn Vasyanovych (“Atlantis,” “Black Level”) uses irony, horror and a sober-minded, unspoken acceptance of “this…

Review of Reflection (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 May 2022

Writer-director Valentyn Vasyanovych (“Atlantis,” “Black Level”) uses irony, horror and a sober-minded, unspoken acceptance of “this…

Review of Mishan Impossible (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 May 2022

The kids are pretty good actors, but this clumsy, hacked-together story does nobody any credit…

Review of Kongsi Raya (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 May 2022

Kongsi Raya may never fully shake the feeling that we’re watching a Malaysian take on some Doris Day “Virgin Queen” rom-com from the…

Review of The Duke (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 May 2022

It’s adorable, finding laughs (look for the Bond joke in the finale) and connecting with shared sentiments…

Review of Reflection (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 May 2022

Writer-director Valentyn Vasyanovych (“Atlantis,” “Black Level”) uses irony, horror and a sober-minded, unspoken acceptance of “this…

Review of Rumspringa (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 May 2022

In losing its nerve, it’s neither fish nor fowl, dramedy nor comedy, an is doomed to wander across your Netflix screen like a pilgrim in…

Review of Bubble (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 28 Apr 2022

This isn’t the least interesting story I’ve ever seen told in anime, but it’s right up there…

Review of Crush (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 28 Apr 2022

Unfortunately, that’s exactly what the filmmakers hope, that you’ll be so swept up in “representation” that you won’t notice how…

Review of Crush (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 28 Apr 2022

Unfortunately, that’s exactly what the filmmakers hope, that you’ll be so swept up in “representation” that you won’t notice how…

Review of Bubble (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 28 Apr 2022

This isn’t the least interesting story I’ve ever seen told in anime, but it’s right up there…

Review of Crush (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 28 Apr 2022

Unfortunately, that’s exactly what the filmmakers hope, that you’ll be so swept up in “representation” that you won’t notice how…

Review of Crush (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 28 Apr 2022

Unfortunately, that’s exactly what the filmmakers hope, that you’ll be so swept up in “representation” that you won’t notice how…

Review of Bubble (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 28 Apr 2022

This isn’t the least interesting story I’ve ever seen told in anime, but it’s right up there…

Review of Memory (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 27 Apr 2022

It’s still a half-decent movie, closer to Neeson’s late-career “Taken” peak than his most recent films…

Review of Memory (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 27 Apr 2022

It’s still a half-decent movie, closer to Neeson’s late-career “Taken” peak than his most recent films…

Review of Memory (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 27 Apr 2022

It’s still a half-decent movie, closer to Neeson’s late-career “Taken” peak than his most recent films…

Review of Hey! Sinamika (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 27 Apr 2022

There’s a lighter, funnier, sexier movie in this material. But it was probably the one already made in Argentina, without the cool dance numbers…

Review of Take Me to the River: New Orleans (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 27 Apr 2022

As a film, its mix of interviews, little snippets of street life and Goodman’s drawled history lessons take a back seat to the loose and…

Review of Good Life (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 27 Apr 2022

Rondini does her best to give the picture “local color” — an octopus fished out of Homer’s “wine dark sea,” a town square that…

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