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Roger Moore

Last updated: 16 Jul 2026 at 00:23 UTC

Movie Reviews by Roger Moore - Page 25 of 301

481-500 of 6,008 Reviews

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Review of One Way (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 30 Aug 2022

Baird, and his sometimes muse Fimmel, are heading in the right direction…

Review of Gigi & Nate (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 30 Aug 2022

Gigi & Nate is what happens when you round up a good cast and a pretty polished director for a screenplay that turns away from its strengths,…

Review of One Way (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 30 Aug 2022

Baird, and his sometimes muse Fimmel, are heading in the right direction…

Review of Low Life (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 30 Aug 2022

Low Life is a jittery, nerve-wracking thriller, a peek behind the “gotcha” cell phone camera of a confrontational stalker-of-stalkers…

Review of One Way (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 30 Aug 2022

Baird, and his sometimes muse Fimmel, are heading in the right direction…

Review of The Invitation (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 28 Aug 2022

No wit, few frights and not much in the way of thrills, either…

Review of Samaritan (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 26 Aug 2022

The effects are good enough, but there’s a lack of wit and ambition here that just reeks…

Review of Breaking (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 26 Aug 2022

Breaking isn’t “Dog Day Afternoon” or “Inside Man” because it isn’t as good or as original as those two classics of the genre…

Review of Adieu Godard (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 25 Aug 2022

It’s very self-conscious and gets very meta and kind of arty…

Review of Corrective Measures (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 24 Aug 2022

This movie is terrible right out of the gate, and execrable by the time Willis makes his belated bow — 23 minutes in…

Review of Out of the Blue (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 24 Aug 2022

The general idea here is a sound one, taking the conventions of a celebrated genre and sending them up…

Review of Out of the Blue (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 24 Aug 2022

The general idea here is a sound one, taking the conventions of a celebrated genre and sending them up…

Review of Out of the Blue (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 24 Aug 2022

The general idea here is a sound one, taking the conventions of a celebrated genre and sending them up…

Review of Out of the Blue (2024)

By Roger Moore (6,008) for Movie Nation (3,875) on 24 Aug 2022

The general idea here is a sound one, taking the conventions of a celebrated genre and sending them up…

Review of From the Hood to the Holler (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Aug 2022

If Booker goes on to unseat the hilariously hated, Russia loving Rand Paul for a Senate seat this fall, From the Hood to the Holler will make…

Review of The Day After Halloween (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Aug 2022

Some of the one-liners land, a few scenes play as half-amusing…

Review of Funny Pages (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Aug 2022

Kline presents us with a coming-of-age story, or an artist finding his voice tale, and never quite delivers either…

Review of Kaepernick & America (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Aug 2022

For a movie that doesn’t have an actual interview with the subject of the film, Kaepernick & America isn’t half bad, although the material…

Review of MVP (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 22 Aug 2022

Good intentions run smack into self-indulgence in “MVP,” a slack, sentimental, cliche-and-stereotype-stuffed drama from activist, charitable…

Review of Dragon Ball Super: Super Hero (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 19 Aug 2022

A serious upgrade in “Dragon Ball” franchise animation runs up against the same overdoses of exposition, endless back story and arcane…

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