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Last updated: 13 Jun 2026 at 14:53 UTC

Movie Reviews by Robert Koehler - Page 2 of 24

21-40 of 477 Reviews

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Review of A Touch of Sin (2013)

By Robert Koehler (477) for Cinema Scope (405) on 01 Oct 2017

Although [director Jia Zhangke] makes a great deal in interviews of how the four stories are drawn from reported cases in recent years across…

Review of Agrarian Utopia (2009)

By Robert Koehler (477) for Cinema Scope (405) on 01 Oct 2017

This is a world now infused with stultifying familiarity, so that the gap between utopia and actuality remains, like the seasons cycling back…

Review of Eastern Promises (2007)

By Robert Koehler (477) for Cinema Scope (405) on 01 Oct 2017

Eastern Promises is a fascinating case of a film made under the intense gaze of a supreme auteur and written by the separate but equally potent…

Review of Down from the Mountain (2001)

By Robert Koehler (477) for Variety (12,700) on 30 Sep 2017

Before the music takes over, the film inserts a few bits of charm, such as Emmylou Harris excitedly following the latest Major League Baseball scores…

Review of Souvenir (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

Souvenir tries to package its kitsch as dressed-up fun, but all it does is give Isabelle Huppert something to do between her real movies…

Review of Aquarius (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

…

Review of Burn Your Maps (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

A small tale of a boy's obsession realized, writer-director Jordan Roberts' Burn Your Maps is the perfect movie for TIFF audiences who want…

Review of Salt and Fire (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

The man, so wonderful to listen to in his non-fiction films as he narrates away in his deliciously thick German accent, has a tin ear for English…

Review of Voyage of Time: Life's Journey (2017)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

Now that he's making drivel, Malick can't stop himself from churning them out, which, a theory goes, is why they're drivel…

Review of Kissing Candice (2018)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

The story goes from dumb to dumber, and never has a grip on Candice's opaque if intensely physical presence, let alone her character…

Review of The Butterfly Tree (2017)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

Oedipal wackiness, arch stabs at farce, and nickel-and-dime fantasy frolics ensue, producing a seriously disagreeable stir of unmixable narrative…

Review of Queen of Katwe (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

The irresistible ringer for gullible audiences is that the movie is based on a true story…

Review of Aquarius (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

…

Review of The Magnificent Seven (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

There's a fine line, as Sergio Leone once told me, between the operatic and the absurd, and this Seven runs roughshod over it…

Review of Into the Inferno (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

The wild, near-suicidal extremes of his first volcano movie, La Soufriere (1976), have been replaced by a steadier, more educational attitude,…

Review of Bleed for This (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

Bleed for This flinches from plunging into the madness, the place where a truly interesting movie resides…

Review of Yourself and Yours (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

…

Review of Snowden (2016)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

Snowden, though, contains another shock: that Stone (of all people) somehow turns all of this-and more-into a square, boring movie…

Review of Dragonfly Eyes (2017)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

The result of a massive, years-long project to compile, select, and mould…

Review of Battle of the Sexes (2017)

By Robert Koehler (477) for Cinema Scope (405) on 28 Sep 2017

The casting is the movie's strength, and both actors milk just about every drop possible from Simon Beaufoy's strictly workmanlike screenplay…

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