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Last updated: 27 Jul 2026 at 03:08 UTC

Movie Reviews by Robert Abele - Page 10 of 66

181-200 of 1,309 Reviews

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Review of Emma. (2020)

By Robert Abele (1,309) for TheWrap (3,203) on 03 Feb 2020

Mr. Woodhouse’s daughter may be a case study in the perils of playing God with others’ hearts, but Emma…

Review of Emma (2020)

By Robert Abele (1,309) for TheWrap (3,203) on 03 Feb 2020

Mr. Woodhouse’s daughter may be a case study in the perils of playing God with others’ hearts, but Emma…

Review of Never Rarely Sometimes Always (2020)

By Robert Abele (1,309) for TheWrap (3,203) on 25 Jan 2020

Hittman wades into one of the more charged subjects of our time — abortion access — with the kind of sensitivity, focus and detail that…

Review of Redoubt (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 23 Jan 2020

Redoubt is slow going but not uninvolving…

Review of Jezebel (2020)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 16 Jan 2020

Jezebel is a reminder that in everyday human stories is proof that the world is wide, and that in going behind the doors that movies rarely…

Review of Bad Boys for Life (2020)

By Robert Abele (1,309) for TheWrap (3,203) on 15 Jan 2020

The stars certainly aren’t acting like their participation is a mercenary endeavor…

Review of Cats (2019)

By Robert Abele (1,309) for TheWrap (3,203) on 18 Dec 2019

Tom Hooper’s jarring fever dream of a spectacle is like something that escaped from Dr…

Review of Seberg (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 12 Dec 2019

Stewart is enough of a force to give Seberg’s darkest moments their due, but it’s too little, too late for the superficial soup that is…

Review of Varda by Agnès (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 05 Dec 2019

Varda’s playful tour of her life’s work in the movies is nothing less than an opportunity to get to know one of cinema’s greatest treasures…

Review of After Parkland (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 04 Dec 2019

Taguchi and Lefferman approach it all less like journalists or vérité documentarians than friendly guests who want to be respectful yet connect…

Review of Recorder: The Marion Stokes Project (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 02 Dec 2019

Wolf’s strange, sad and finally exhilarating portrait is one of radical consumerism turned into a searchable legacy — the viewer as activist…

Review of 63 Up (2019)

By Robert Abele (1,309) for TheWrap (3,203) on 27 Nov 2019

If, for whatever reason, 63 UP were the last, it would be a perfectly satisfying summing-up of what’s proven to be the surest motive for…

Review of Richard Jewell (2019)

By Robert Abele (1,309) for TheWrap (3,203) on 21 Nov 2019

Outside of its major assets, which include “I, Tonya” scene-stealer Paul Walter Hauser’s unapologetically showy performance as Jewell…

Review of Hala (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 21 Nov 2019

Although its storytelling is at times naggingly staid, its central characterizations teem with complexity and sensitivity, and for that, it’s…

Review of Mickey and the Bear (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 21 Nov 2019

It’s all a very believable, close-quarters theater of exhaustion and pain, with moments of lightness and warmth that only add to the difficulty…

Review of Scandalous: The Untold Story of the National Enquirer (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 14 Nov 2019

As pop culture narratives go, “Scandalous” wants to be as colorful and fun as a flip through of the rag itself at the supermarket…

Review of The Warrior Queen of Jhansi (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 14 Nov 2019

As dramatized, “The Warrior Queen” takes all the biopic shortcuts (narration, sped-up timeline, ham-fisted exposition) only to get to a…

Review of The Hottest August (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 14 Nov 2019

Sometimes an experiment feels like just an experiment, and that’s where the well-intentioned query The Hottest August ultimately lands…

Review of The Report (2019)

By Robert Abele (1,309) for TheWrap (3,203) on 14 Nov 2019

There’s no denying that Driver — with film after film cementing his status as a top-tier actor — is excellent at exasperated outrage,…

Review of Dark Waters (2019)

By Robert Abele (1,309) for TheWrap (3,203) on 13 Nov 2019

In Haynes’s psychologically and atmospherically astute compositions and careful nursing of the emotional impact on Bilott and wife Sarah…

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Robert Abele has written reviews for:

Los Angeles Times (12,977)
Chicago Tribune (6,211)
TheWrap (3,203)
L.A. Weekly (3,142)
Baltimore Sun (1,823)
Dallas Observer (1,128)

Robert Abele is connected to:

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