Movie Reviews by Rob Gonsalves - Page 2 of 52

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Review of Die Hard (1988)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 09 Jul 2018

It's as though the filmmakers approached each scene by asking themselves how entertaining they could make it…

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Review of Krepkiy Oreshek (1968)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 09 Jul 2018

It's as though the filmmakers approached each scene by asking themselves how entertaining they could make it…

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Review of Pi (1998)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 25 Jun 2018

A workout, no question, and not for everyone, but it has intellectual and spiritual fervor, and even when it stops dead for some mystical exposition,…

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Review of Annihilation (2018)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 25 Jun 2018

Annihilation is the real deal, doing what science fiction and horror are supposed to do, speaking dark truths about our condition while planting…

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Review of Death Wish (2018)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 11 Jun 2018

Someday [Eli] Roth will apply his horror-movie instincts to material that can make them sing, and he will make a classic…

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Review of Game Night (2018)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 30 May 2018

Game Night doesn't amount to much, but it'll make a decent rental for a Movie Night, with friends invited over for a breezy, occasionally gory…

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Review of Black Panther (2018)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 16 May 2018

Boseman more or less gives the movie to Jordan and to the many beautiful, brilliant women surrounding him…

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Review of The Misandrists (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 14 May 2018

This sort of japery was done funnier and filthier by John Waters in the pride of his midnight-movie shining, in films like Desperate Living…

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Review of Phantom Thread (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 19 Apr 2018

If you don't hold the movie's pompous style against it - if you accept its style as part of the movie's oblique point about creativity - it…

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Review of Star Wars: The Last Jedi (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 12 Apr 2018

The Last Jedi speaks for the strength of a united front against imperial aggression...The final image leaves us with the assurance that young…

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Review of Journey's End (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 29 Mar 2018

Period war movies may be the only genre left that can plausibly ignore the modern (and justified) demand for diversity; the least such movies…

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Review of They Remain (2018)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 02 Mar 2018

A slow-burn psychological thriller like They Remain requires patience. It seems to be more about mood and paranoia than about plot or easy scare…

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Review of Roman J. Israel, Esq. (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 23 Feb 2018

Roman' is more beautiful for its flaws; it's cantankerous and possibly insufferable and the sort of shot in the dark that grows in memory…

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Review of A Fantastic Woman (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 09 Feb 2018

A Fantastic Woman lets us see grief through a fresh pair of eyes…

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Review of Lady Bird (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 02 Feb 2018

Its brushstrokes are light, and it never overextends - or extends, really. Its energies are almost wholly inward-directed…

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Review of Braven (2018)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 24 Jan 2018

Physical solidity is about all Braven has going for it, but for a low-fat, no-frills sprinter like this, that might be enough if only if weren't…

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Review of The Post (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 18 Jan 2018

Years from now, away from its current relevance, The Post will play like a sedate prequel to All the President's Men…

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Review of Dunkirk (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 18 Jan 2018

It's not quite just a virtuoso exercise, though Nolan here proves himself a master of the technical effects he strives for and achieves…

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Review of Signature Move (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 18 Jan 2018

The movie is a perfectly pleasant bonbon for its target audience…

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Review of The Shape of Water (2017)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 26 Dec 2017

The thematic masochism is intrinsic to del Toro's art - miserably picking the scab of one's self-esteem…

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