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Last updated: 09 Jul 2026 at 19:31 UTC

Movie Reviews by Richard Roeper - Page 8 of 137

141-160 of 2,737 Reviews

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Review of All Quiet on the Western Front (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 27 Oct 2022

Making great use of 21st century technology, this latest version is the most visually sweeping and impressive version yet, and it comes close…

Review of Call Jane (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 26 Oct 2022

We’ve known for a long time Elizabeth Banks is equally deft at handling comedy and drama, and in one of the most serious and important roles…

Review of The Banshees of Inisherin (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 26 Oct 2022

In “Banshees,” Gleeson and Farrell once again are pure movie magic together, with Gleeson’s gruff and rugged and imposing persona the…

Review of My Policeman (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 20 Oct 2022

For all the gorgeous visuals in Brighton and Venice, and the scandalous-for-its-time storyline about a married man carrying on a torrid love…

Review of The School for Good and Evil (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 19 Oct 2022

While the talented and versatile director Paul Feig (“Freaks and Geeks,” “Bridesmaids,” “A Simple Favor”) displays an admirably…

Review of Ticket to Paradise (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 19 Oct 2022

We’re only about 20 minutes into the half-baked, ultra-lightweight, almost instantly forgettable rom-com “Ticket to Paradise” when our…

Review of The Good Nurse (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 18 Oct 2022

In the hands of the Danish director Tobias Lindholm and screenwriter Krysty Wilson-Cairns (“1917,” “Last Night in Soho”) and thanks…

Review of Raymond & Ray (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 17 Oct 2022

The Scotsman who often plays majestic characters and the Texan who specializes in playing antiheroes play beautifully off one another in writer-director…

Review of Stars at Noon (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 17 Oct 2022

Stars at Noon is all sweaty style with very little true substance…

Review of Halloween Ends (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 13 Oct 2022

They say this is Halloween Ends. I say: Can we get that in writing…

Review of TÁR (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 13 Oct 2022

Even as TÁR delivers as an intellectually soaring, elaborately constructed and passionate tribute to the technical AND emotional joys of playing,…

Review of Till (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 12 Oct 2022

In Till, we see how Emmett had music in his heart and a bounce in his step and was just beginning his life’s path when monsters came calling…

Review of Till (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 12 Oct 2022

In Till, we see how Emmett had music in his heart and a bounce in his step and was just beginning his life’s path when monsters came calling…

Review of The Redeem Team (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 07 Oct 2022

It’s exciting to revisit the battles, starting with a blowout of a tough Greece team, a victory over the talented Argentina squad, and the…

Review of Luckiest Girl Alive (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 07 Oct 2022

While the material at times veers close to exploitation, Knoll’s writing and Kunis’ performance ensure this is ultimately a tale of survival…

Review of To Leslie (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 06 Oct 2022

Every character in To Leslie feels “lived-in.” Every scene rings true, sometimes in surprising ways…

Review of Amsterdam (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 05 Oct 2022

In the case of David O…

Review of Nothing Compares (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 04 Oct 2022

It’s an invaluable look at a complicated and often misunderstood artist who is more than the usual talking points of “Nothing Compares…

Review of Mona Lisa and the Blood Moon (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 28 Sep 2022

Mona Lisa and the Blood Moon plays like a graphic novel come to life…

Review of The Greatest Beer Run Ever (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 28 Sep 2022

The intentions and performances are irrefutably sincere and noble. The execution almost always feels a little bit forced and a little bit false…

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