Movie Reviews by Rex Reed - Page 4 of 76

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Review of Belfast (2021)

By Rex Reed (1,506) for Observer (1,042) on 16 Nov 2021

The memories are vivid, but there’s no plot to connect them, and the film is rendered almost totally incomprehensible by accents as thick…

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Review of Mayor Pete (2021)

By Rex Reed (1,506) for Observer (1,042) on 16 Nov 2021

As the focus of Mayor Pete, a fascinating chronicle of his 2019-2020 campaign, he’s living proof that decency, integrity, and liberty and…

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Review of The Most Beautiful Boy in the World (2021)

By Rex Reed (1,506) for Observer (1,042) on 01 Nov 2021

A film five years in the making about the poisonous effects of movie fame on the young, this fascinating but dismally depressing Swedish documentary…

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Review of Last Night in Soho (2021)

By Rex Reed (1,506) for Observer (1,042) on 01 Nov 2021

Depraved, delirious, and downright stupid, Last Night in Soho is two hours of amateurish drivel by B-movie director Edgar Wright (Baby Driver,…

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Review of 13 Minutes (2021)

By Rex Reed (1,506) for Observer (1,042) on 26 Oct 2021

Written and directed with an overload of talent by Lindsay Gossling, it rarely falters and leaves a viewer grateful for a whirlwind of character-driven…

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Review of No Time to Die (2021)

By Rex Reed (1,506) for Observer (1,042) on 11 Oct 2021

No Time to Die may not be the worst James Bond movie ever made, but it’s in heavy competition as the dullest one since Octopussy…

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Review of The Eyes of Tammy Faye (2021)

By Rex Reed (1,506) for Observer (1,042) on 20 Sep 2021

Still, in spite of its flaws, I liked The Eyes of Tammy Faye a lot—mainly because of its dedication to period accuracy in every visual detail,…

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Review of Together (2021)

By Rex Reed (1,506) for Observer (1,042) on 31 Aug 2021

Exploring the suffocating complexities of domestic life in the social isolation of quarantine, this volatile couple explores the shifting values…

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Review of Reminiscence (2021)

By Rex Reed (1,506) for Observer (1,042) on 24 Aug 2021

It slogs on, piling on scenes and memories of every sci-fi epic and film noir from Blade Runner to Chinatown, but who cares…

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Review of The Night House (2021)

By Rex Reed (1,506) for Observer (1,042) on 19 Aug 2021

Unfortunately, it’s a fairly unimaginative, largely unconvincing, often dull and always predictable example of the genre with few thrills…

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Review of Respect (2021)

By Rex Reed (1,506) for Observer (1,042) on 13 Aug 2021

Jennifer Hudson is so spectacular in Respect, the Aretha Franklin biopic, that she makes you overlook, ignore and eventually forgive the film’s…

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Review of Free Guy (2021)

By Rex Reed (1,506) for Observer (1,042) on 13 Aug 2021

The target audience — people who waste their lives playing video games — might be amused by a movie about devices designed for the sole…

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Review of Stillwater (2021)

By Rex Reed (1,506) for Observer (1,042) on 30 Jul 2021

With little action, no suspense and an ending that fails in every way, Matt Damon is the only thing memorable about Stillwater…

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Review of Jungle Cruise (2021)

By Rex Reed (1,506) for Observer (1,042) on 29 Jul 2021

If you don’t fall asleep, there’s plenty to look at, including action scenes crammed with special effects, as well as lush rainforests…

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Review of Joe Bell (2020)

By Rex Reed (1,506) for Observer (1,042) on 19 Jul 2021

It’s still worth seeing, mainly for the depth and feeling Mark Wahlberg exhibits in the title role, but fails to expand a viewer’s vision…

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Review of A Quiet Place Part II (2021)

By Rex Reed (1,506) for Observer (1,042) on 20 May 2021

With no solution to the horrors it introduces, it’s a screamfest that seems rather pointless, too, but somewhat redeemed by a few genuine…

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Review of Georgetown (2019)

By Rex Reed (1,506) for Observer (1,042) on 17 May 2021

The acting is first-rate from start to finish, but it is really Mr. Waltz who keeps the action flowing…

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Review of The Father (2020)

By Rex Reed (1,506) for Observer (1,042) on 22 Feb 2021

Another powerful, mesmerizing and downright heartbreaking performance by the great Anthony Hopkins enhances The Father…

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Review of Falling (2021)

By Rex Reed (1,506) for Observer (1,042) on 11 Feb 2021

Powerful, persuasive and insightful, Falling is a sensitive and beautifully composed film that marks the formidable directing debut of the…

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Review of The Mauritanian (2021)

By Rex Reed (1,506) for Observer (1,042) on 11 Feb 2021

Another of those fact-based semi-documentary style films about the need for government transparency that is responsible, sobering, worthwhile…

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Rex Reed has written reviews for:

New York Observer (1,400)
Observer (1,042)

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