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Last updated: 07 Jun 2026 at 08:02 UTC

Movie Reviews by Peter Sobczynski - Page 3 of 58

41-60 of 1,159 Reviews

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Review of This Is the Night (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 22 Sep 2021

Such a spectacular misfire on every imaginable level—and even some you haven’t begun to imagine—that there are times when one might mistake…

Review of Small Engine Repair (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 10 Sep 2021

Small Engine Repair is little more than 103 minutes of a would-be provocation whose only real advantage is that it's ultimately too dopey to…

Review of Ride the Eagle (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 30 Jul 2021

Its biggest crime is that the whole thing, in the end, is just kind of pointless, and doesn’t offer viewers anything that they haven’t…

Review of How It Ends (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 20 Jul 2021

While I like the laid-back attitude the filmmakers apply to the theoretically devastating situation, it quickly becomes apparent that attitude…

Review of My Heart Can't Beat Unless You Tell It To (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 25 Jun 2021

Cuartas' film provides a generally interesting spin on both the vampire mythos and more typical dysfunctional family dynamics…

Review of Monuments (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 04 Jun 2021

What could have been a powerful, timely, and potentially funny meditation on the grieving process is instead a work that's about as thin and…

Review of Monuments (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 04 Jun 2021

What could have been a powerful, timely, and potentially funny meditation on the grieving process is instead a work that's about as thin and…

Review of The Killing of Two Lovers (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 14 May 2021

Admittedly, this 85-minute film is not the kind of movie you wish that had been a lot longer…

Review of The Virtuoso (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 30 Apr 2021

Director Nick Stagliano doesn’t help matters much by presenting the material with a poky pace that does not exactly bring the narrative to…

Review of Vanquish (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 16 Apr 2021

Although Vanquish is otherwise as forgettable as can be—that may be the closest thing that it has to a virtue—there's still one thing about…

Review of Tyger Tyger (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 26 Feb 2021

Even taken simply as a deliberately formless freak-out, the kind that used to turn up regularly back in the heyday of the midnight movie circuit,…

Review of Body Brokers (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 19 Feb 2021

Body Brokers was clearly made with good intentions, but while it might still fill you with anger towards the predatory aspects of the rehabilitation…

Review of Atlantis (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 29 Jan 2021

It's fascinating that while the movie deals with exceptionally grim material, it never becomes too unbearable to watch…

Review of Greenland (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 18 Dec 2020

Ultimately, Greenland never comes together into a truly satisfying package, but it deserves a little credit for trying to do something unique…

Review of 76 Days (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 09 Dec 2020

To the credit of the filmmakers, 76 Days has been made in such a skillful and gripping manner that even those suffering from COVID news fatigue…

Review of Zappa (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 27 Nov 2020

I found the film to be an engrossing look at Zappa and his legacy that nevertheless avoids the mere hagiography that films of this sort run…

Review of City Hall (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 28 Oct 2020

Even in a filmography with more than its fair share of impressive achievements, it deserves consideration as one of Wiseman’s greatest…

Review of After We Collided (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 23 Oct 2020

A film so lazy and inane that it feels as contemptuous towards its audience as I am towards it…

Review of Belushi (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 15 Oct 2020

Someday, there will be a take on the life and work of John Belushi that is as fascinating, complex, and entertaining as he was…

Review of A Rainy Day in New York (2019)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 09 Oct 2020

This is Allen’s 48th movie (a 49th, “Rifkin’s Festival,” premiered last month) and while he has certainly made worse films than this…

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