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Last updated: 29 Jul 2026 at 10:36 UTC

Movie Reviews by Peter Bradshaw - Page 19 of 184

361-380 of 3,667 Reviews

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Review of The Suicide Squad (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 28 Jul 2021

Not everything works here, but the sheer crazy confidence-through-chaos of the Suicide Squad and their bizarrely dysfunctional MO makes for…

Review of The Most Beautiful Boy in the World (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 28 Jul 2021

It is a desperately unhappy story, sympathetically told by film-makers Kristina Lindström and Kristian Petri…

Review of Jungle Cruise (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 27 Jul 2021

The spark that was there in the opening section disappears and the film splutters out into something directionless and derivative and dull…

Review of Out of Death (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 27 Jul 2021

The film squanders one or two promising plot ideas, and winds up making a hamfisted paean of praise to the idea of “open carry” gun ownership…

Review of The World to Come (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 23 Jul 2021

Fastvold’s film is distinctive in that she shows us how physical constraint and violence are part of the fabric of living…

Review of Old (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 Jul 2021

The elements of silliness and deadly seriousness are nicely balanced and although I wasn’t absolutely sure about the ending, which has maybe…

Review of Memoria (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 17 Jul 2021

In a calmly realist, non-mystic movie language, this director really can convince you that the living and the dead, the past and the present,…

Review of Paris, 13th District (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 17 Jul 2021

I’m not sure that Les Olympiades says anything too profound about any of its cast of characters, but Audiard achieves something very watchable…

Review of Drive My Car (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Jul 2021

Where once Hamaguchi’s film-making language had seemed to me at the level of jeu d’esprit, now it ascends to something with passion and…

Review of Titane (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Jul 2021

For its sheer silliness and towering pointlessness, Julia Ducournau’s gonzo body-horror shaggy-dog story deserves some points…

Review of Red Rocket (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Jul 2021

With Red Rocket, Sean Baker has given us an adult American pastoral, essentially a comedy, and another study of tough lives at the margin,…

Review of The Velvet Underground (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 Jul 2021

This is a great documentary about people who are serious about music and serious also about art, and what it means to live as an artist…

Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 Jul 2021

It might not be at the very zenith of what he can achieve but for sheer moment-by-moment pleasure, and for laughs, this is a treat…

Review of Compartment No. 6 (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 Jul 2021

Despite the bone-chilling cold of its location in Murmansk in Russia’s remote north-west, there’s a wonderful human warmth and humour in…

Review of Mothering Sunday (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 11 Jul 2021

It is a lovely-looking, lovely-sounding movie, handsomely designed, meticulously shot and impeccably performed — and it also has interesting…

Review of Flag Day (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 10 Jul 2021

There are some pretty broad emotional strokes here and maybe a fair bit of grandstanding. But it’s made with some style…

Review of Benedetta (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 09 Jul 2021

Verhoeven just presents us with the raunchiness, using the religiosity as set dressing…

Review of Stillwater (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 09 Jul 2021

This is one to forget: a muddled, tonally misjudged, badly acted, uncertainly directed and frankly dubious drama, something that falls into…

Review of The Souvenir: Part II (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 09 Jul 2021

This rich and mysterious film is a real achievement…

Review of Annette (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 06 Jul 2021

Annette is a forthright and declamatory and crazy spectacle, teetering over the cliff edge of its own nervous breakdown, demanding that we…

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Page 19 of 184

Peter Bradshaw has written reviews for:

Guardian (4,584)
The Guardian (2,969)
Observer (UK) (2,398)
Screen Daily (1,021)

Peter Bradshaw is connected to:

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