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Last updated: 29 Jul 2026 at 02:34 UTC

Movie Reviews by Peter Bradshaw - Page 17 of 184

321-340 of 3,667 Reviews

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Review of The Tragedy of Macbeth (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 24 Sep 2021

The movie hits its stride immediately with a taut, athletic urgency and it contains some superb images – particularly the eerie miracle of…

Review of The Green Knight (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 24 Sep 2021

The visual brilliance of this film combines with shroomy toxicity and inexplicable moral grandeur: what a stunning experience…

Review of The Many Saints of Newark (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 21 Sep 2021

Michael Gandolfini is goosebump-inducing as the young Tony Soprano, amid race riots and antagonism towards rival African American gangs…

Review of Only You (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 18 Sep 2021

It’s a poignant and compelling Venn diagram of passion and heartache…

Review of The Survivor (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 17 Sep 2021

The Survivor wins on points, a decent and honourably intended picture about one man’s ordeal in the horror of the Holocaust and the heartbreak…

Review of Beba (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 17 Sep 2021

The tone of the film is sometimes a little opaque…

Review of The Survivor (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 17 Sep 2021

The Survivor wins on points, a decent and honourably intended picture about one man’s ordeal in the horror of the Holocaust and the heartbreak…

Review of Fauci (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Sep 2021

This is a celebratory film, and it’s easy to agree with its praise for Fauci’s intellectual heroism, especially when reactionary anti-science…

Review of Everybody's Talking About Jamie (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Sep 2021

The broad characterisation, dialogue and scene transitions probably worked better on stage, but they give a bounce to this feelgood Britfilm version…

Review of Everybody's Talking About Jamie (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Sep 2021

The broad characterisation, dialogue and scene transitions probably worked better on stage, but they give a bounce to this feelgood Britfilm version…

Review of Encounter (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Sep 2021

It all adds up to less than we hoped, though Pearce’s direction is never less than confident…

Review of Encounter (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Sep 2021

It all adds up to less than we hoped, though Pearce’s direction is never less than confident…

Review of Encounter (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Sep 2021

It all adds up to less than we hoped, though Pearce’s direction is never less than confident…

Review of The Electrical Life of Louis Wain (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 13 Sep 2021

Director Will Sharpe is a potent talent whose early movies Black Pond and The Darkest Universe I loved – but this is a strained film, overwhelmed…

Review of Benediction (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 13 Sep 2021

Benediction is not an easy experience and some of the caustic, brittle dialogue scenes with Sassoon’s celebrity acquaintances are grating…

Review of Benediction (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 13 Sep 2021

Benediction is not an easy experience and some of the caustic, brittle dialogue scenes with Sassoon’s celebrity acquaintances are grating…

Review of Three Colors: Red (1994)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 Sep 2021

With music by Zbigniew Preisner, it is an almost supernatural contrivance: brooding on coincidence, fate and the insoluble mystery of other…

Review of The Mad Women's Ball (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 Sep 2021

Contrived and possibly overheated though the film might be at times, there is real storytelling gusto to it, and Laurent punches it across…

Review of The Starling (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 Sep 2021

Every implausible scene, every unconvincing character, every contrived dollop of symbolism, every toe-curlingly misjudged and unearned emotional…

Review of The Guilty (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 10 Sep 2021

Perhaps to overcompensate for the lack of conventionally opened-out dramatic action, there is some big closeup acting from Gyllenhaal, but…

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Page 17 of 184

Peter Bradshaw has written reviews for:

Guardian (4,584)
The Guardian (2,969)
Observer (UK) (2,398)
Screen Daily (1,021)

Peter Bradshaw is connected to:

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