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Last updated: 27 Jul 2026 at 20:22 UTC

Movie Reviews by Peter Bradshaw - Page 11 of 184

201-220 of 3,667 Reviews

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Review of Decision to Leave (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 24 May 2022

It’s a gorgeously and grippingly made picture and Tang Wei is magnificent…

Review of Corsage (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 23 May 2022

In many ways this is a study in anger, and it is an austere and angular picture. Krieps gives an exhilaratingly fierce, uningratiating performance…

Review of Crimes of the Future (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 23 May 2022

It’s an extraordinary planet that Cronenberg lands us down on, and insists we remove our helmets before we’re quite sure we can breathe the air…

Review of Aftersun (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 May 2022

With remarkable confidence, [Wells] just lets her movie unspool naturally, like a haunting and deceptively simple short story…

Review of One Fine Morning (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 May 2022

For all its tendency to soap opera, it has a lovely happy-sad sweetness…

Review of Aftersun (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 May 2022

With remarkable confidence, [Wells] just lets her movie unspool naturally, like a haunting and deceptively simple short story…

Review of Triangle of Sadness (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 May 2022

Strident, derivative and dismayingly deficient in genuine laughs, Ruben Östlund’s new movie is a heavy-handed Euro-satire, without the subtlety…

Review of Cordelia! (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 20 May 2022

Perhaps this film doesn’t entirely work all the way through, but it is a shard of malevolence that jabs into your skin…

Review of Cordelia (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 20 May 2022

Perhaps this film doesn’t entirely work all the way through, but it is a shard of malevolence that jabs into your skin…

Review of Armageddon Time (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 19 May 2022

Gray has given us tough, sinewy and memorable New York movies in the past such as The Yards and We Own the Night, but this is weighed down…

Review of When You Finish Saving the World (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 18 May 2022

The tricky mother-son relationship is well managed and Moore always brings to this kind of Oedipal drama a seriocomic intensity (as in Tom…

Review of Top Gun: Maverick (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 May 2022

There’s plenty of rock’n’roll fighter-pilot action in this movie, but weirdly none of the homoerotic tension that back in the day had…

Review of Vortex (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 May 2022

Vortex tells us something else about old age, something which a severe and high-minded movie like Michael Haneke’s Amour would not grasp…

Review of Vortex (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 May 2022

Vortex tells us something else about old age, something which a severe and high-minded movie like Michael Haneke’s Amour would not grasp…

Review of Everything Everywhere All at Once (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 11 May 2022

This mad succession of consequence-free events, trains of activity which get cancelled by a switch to another parallel world, means that nothing…

Review of Doctor Strange in the Multiverse of Madness (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 03 May 2022

The multiverse madness is treated with genial high-energy panache, though I have to say that this infinite profusion of realities does not…

Review of I Love America (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 27 Apr 2022

Sophie Marceau delivers the cringe in this clunkingly bad LA dating comedy: tin-eared, cliched, unfunny and misjudged in every horribly unconvincing…

Review of Downton Abbey: A New Era (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 25 Apr 2022

As hammy, silly, and undeniably entertaining as ever…

Review of Playground (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 21 Apr 2022

At just 72 minutes, this is a brief, intense feature: it’s possible that Wandel envisaged it as even shorter than it actually is, and perhaps…

Review of Playground (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 21 Apr 2022

At just 72 minutes, this is a brief, intense feature: it’s possible that Wandel envisaged it as even shorter than it actually is, and perhaps…

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Page 11 of 184

Peter Bradshaw has written reviews for:

Guardian (4,584)
The Guardian (2,969)
Observer (UK) (2,398)
Screen Daily (1,021)

Peter Bradshaw is connected to:

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