Movie Reviews by Pablo A. Scholz - Page 3 of 16

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Review of My Masterpiece (2018)

By Pablo A. Scholz (320) for Clarín (492) on 16 Aug 2018

It's as if The Artist mixed with The Distinguished Citizen. [Full review in Spanish]…

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Review of Tie Your Plow to a Star (2017)

By Pablo A. Scholz (320) for Clarín (492) on 01 Aug 2018

Those who do not know who [Fernando] Birri was will be able to admire his words, but they will not understand his enormity. [Full review in Spanish]…

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Review of The Darkest Minds (2018)

By Pablo A. Scholz (320) for Clarín (492) on 01 Aug 2018

The issue is that something did not quite come together, and The Darkest Minds is a hybrid. [Full review in Spanish]…

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Review of Set It Up (2018)

By Pablo A. Scholz (320) for Clarín (492) on 29 Jul 2018

Set It Up is the kind of film to discover while surfing through streaming. It's that kind of comedy. And that's OK. [Full review in Spanish]…

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Review of Mission: Impossible - Fallout (2018)

By Pablo A. Scholz (320) for Clarín (492) on 24 Jul 2018

You have to let yourself be carried away by what you feel... and forget the rules of conventional cinematic story-telling. [Full review in Spanish]…

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Review of Mamma Mia! Here We Go Again (2018)

By Pablo A. Scholz (320) for Clarín (492) on 18 Jul 2018

If someone buys a ticket it's because they had a good time with the first one. [Full review in Spanish]…

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Review of The Waves (2017)

By Pablo A. Scholz (320) for Clarín (492) on 11 Jul 2018

The possibility of going through life, returning to the past and then locating ourselves in the present is more than an original idea…

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Review of Stefan Zweig: Farewell to Europe (2016)

By Pablo A. Scholz (320) for Clarín (492) on 11 Jul 2018

Zweig and his last wife made a drastic decision, which we will not reveal…

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Review of The Beatles: Eight Days a Week - The Touring Years (2016)

By Pablo A. Scholz (320) for Clarín (492) on 08 Jul 2018

The documentary's richness is so great that it doesn't even end when the final credits run. [Full review in Spanish]…

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Review of Ant-Man and the Wasp (2018)

By Pablo A. Scholz (320) for Clarín (492) on 04 Jul 2018

We already know that superhero movies have to be loved as they are. [Full review in Spanish]…

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Review of Wajib (2017)

By Pablo A. Scholz (320) for Clarín (492) on 04 Jul 2018

Wajib has its political and social background, but it can also be seen as the intimate nexus between two beings to whom distance…

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Review of The First Purge (2018)

By Pablo A. Scholz (320) for Clarín (492) on 04 Jul 2018

What's changed? Not much. [Full review in Spanish]…

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Review of Beach Rats (2017)

By Pablo A. Scholz (320) for Clarín (492) on 01 Jul 2018

The director never judges her protagonist, even if Frankie seems unshakable in the face of his father's illness. [Full review in Spanish]…

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Review of Sicario: Day of the Soldado (2018)

By Pablo A. Scholz (320) for Clarín (492) on 27 Jun 2018

[Sicario: Day of the Soldado] is eloquent in its bravery. [Full review in Spanish]…

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Review of Nails (2017)

By Pablo A. Scholz (320) for Clarín (492) on 27 Jun 2018

Nails not disappoint lovers of the genre. [Full review in Spanish]…

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Review of Tag (2018)

By Pablo A. Scholz (320) for Clarín (492) on 27 Jun 2018

It's a silly comedy about a real story [that's] as incredible as it is absurd. [Full review in Spanish]…

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Review of Gringo (2018)

By Pablo A. Scholz (320) for Clarín (492) on 27 Jun 2018

In Gringo different genres, such as comedy, action and thriller come together. Better yet... at times it seems like three different movies…

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Review of Book Club (2018)

By Pablo A. Scholz (320) for Clarín (492) on 20 Jun 2018

The problem with [Book Club]... is that it is devoid of surprise, the protagonists could be anyone, and it has two good jokes…

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Review of Jurassic World: Fallen Kingdom (2018)

By Pablo A. Scholz (320) for Clarín (492) on 20 Jun 2018

Although the script is by Colin Trevorrow and Derek Connolly (co-writers of the first Jurassic World), [director] J.A…

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Review of Toc Toc (2017)

By Pablo A. Scholz (320) for Clarín (492) on 17 Jun 2018

And if everything goes well it's because the [film's theatrical source] is cogent, has very good gags and dialogue... [Full review in Spanish]…

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Pablo A. Scholz has written reviews for:

Clarín (492)

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