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Last updated: 15 Jun 2026 at 19:50 UTC

Movie Reviews by Owen Gleiberman - Page 158 of 164

3,141-3,160 of 3,271 Reviews

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Review of Ulee's Gold (1997)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Aug 1999

Ulee's Gold is a story of redemption, and Nunez doesn't make redemption look any easier than it is…

Review of The Rock (1996)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 09 Aug 1999

Sean Connery and Nicolas Cage inject tasty bits of personality into their roles…

Review of The Flintstones (1994)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 07 Aug 1999

The Flintstones is a big, shiny package of comic nostalgia, as much a theme park as a movie…

Review of Judgment Night (1993)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 04 Aug 1999

The movie is a great big feast of wreckage. But that’s also what makes it a bit numbing…

Review of Con Air (1997)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 08 Jul 1999

It's so shameless, so psychotically nervous about keeping you ''thrilled,'' that the phrase over the top won't do it justice…

Review of The First Power (1990)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Jun 1999

Yet another low-grade spectacular about an evil force that leaps from body to body…

Review of Gloria (1999)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 14 Jun 1999

Stone's latest penance is Gloria, the Sidney Lumet-directed dud that sprung from the singularly bad idea of remaking John Cassavetes' oddball…

Review of Schindler's List (1993)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 02 Jun 1999

Spielberg restages the Holocaust with an existential vividness unprecedented in any nondocumentary film: He makes us feel as if we're living…

Review of Fresh (1994)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 11 May 1999

After a rich, anecdotal first half, Fresh, inspired by the lessons of his derelict-chess-whiz father (Samuel L…

Review of Sick: The Life and Death of Bob Flanagan, Supermasochist (1997)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 10 May 1999

If you see only one movie this year about a twisted, cuddly, courageous, fatally diseased, self-mutilating love slave, make sure that movie…

Review of Joe Versus the Volcano (1990)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 13 Mar 1999

There’s something weirdly innocent about Shanley’s ineptitude: He seems to be inventing the oldest cliches for the very first time…

Review of He Got Game (1998)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 27 Jan 1999

As is often the case with Lee, though, the film left me wishing for even more scenes of casual intimacy, still the most powerful way to carry…

Review of Robin Hood (1973)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 09 Jan 1999

The battles are grainy and ''existential,'' but what they aren't is thrilling…

Review of Ace Ventura: Pet Detective (1994)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 02 Jan 1999

Carrey suggests an escaped mental patient impersonating a game-show host-and, what's worse, his hyperbolically obnoxious shtick is the whole…

Review of The Net (1995)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 1999

The Net is an efficient, workmanlike thriller that, at its best, does a canny job of exploiting the more fanciful edges of computer-age dread…

Review of Event Horizon (1997)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 05 Dec 1998

Event Horizon could have used a decent script, but the director, Paul Anderson, is a stylist to watch…

Review of True Colors (1991)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 07 Oct 1998

You never forget you're watching a derivative, machine-tooled entertainment; the fun is in how the machine keeps spinning off course…

Review of Pecker (1998)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 20 Sep 1998

Watching Pecker, his rickety new comedy about a teenage Baltimore shutterbug, it becomes clear that Waters has grown color-blind to his own…

Review of The Russia House (1990)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 10 Sep 1998

It’s the lead actors who give the movie its surprisingly emotional texture…

Review of Hush (1998)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 12 Aug 1998

A feel-good movie that doesn't give you enough to feel good about…

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Page 158 of 164

Owen Gleiberman has written reviews for:

Variety (12,700)
Entertainment Weekly (6,953)
BBC.com (1,500)

Owen Gleiberman is connected to:

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