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Last updated: 18 Jul 2026 at 14:13 UTC

Movie Reviews by Noah Gittell - Page 2 of 6

21-40 of 113 Reviews

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Review of Early Man (2018)

By Noah Gittell (113) for Washington City Paper (500) on 15 Feb 2018

Tangible and tactile, it creates the feeling of watching kids play with toys, as opposed to today's 3D animation; adults playing with toys…

Review of Phantom Thread (2017)

By Noah Gittell (113) for Washington City Paper (500) on 11 Jan 2018

There are no contemporary cinematic guideposts for Phantom Thread; it is moved only by Anderson's peculiar vision…

Review of Darkest Hour (2017)

By Noah Gittell (113) for Washington City Paper (500) on 08 Dec 2017

Oldman commands every inch of the frame, and director Joe Wright often finds him in dark spaces, with a shaft of sunlight miraculously touching…

Review of Lucky (2017)

By Noah Gittell (113) for Washington City Paper (500) on 04 Oct 2017

The lessons learned from Lucky and Stanton's career, capped off by this moving performance, are the same: You don't have to be an expert or…

Review of Lucky (2017)

By Noah Gittell (113) for Washington City Paper (500) on 04 Oct 2017

The lessons learned from Lucky and Stanton's career, capped off by this moving performance, are the same: You don't have to be an expert or…

Review of Lucky (2017)

By Noah Gittell (113) for Washington City Paper (500) on 04 Oct 2017

The lessons learned from Lucky and Stanton's career, capped off by this moving performance, are the same: You don't have to be an expert or…

Review of Victoria & Abdul (2017)

By Noah Gittell (113) for Washington City Paper (500) on 27 Sep 2017

Those who dismiss the film based on this reading are well within their rights, but the severe lack of characterization the film gives to Abdul,…

Review of The Shape of Water (2017)

By Noah Gittell (113) for Nerdist (550) on 13 Sep 2017

It is a story of dreams made real, and the rare film that can rip your heart open and leave your brain intact…

Review of Suburbicon (2017)

By Noah Gittell (113) for Nerdist (550) on 13 Sep 2017

There are some fun moments in the film's back half, but Suburbicon is only the latest in an increasingly long list of flops that demonstrate…

Review of Downsizing (2017)

By Noah Gittell (113) for Nerdist (550) on 11 Sep 2017

If you want to simply laugh at Downsizing, you can…

Review of The Killing of a Sacred Deer (2017)

By Noah Gittell (113) for Nerdist (550) on 10 Sep 2017

You'll laugh, and then hate yourself for laughing…

Review of Crown Heights (2017)

By Noah Gittell (113) for Washington City Paper (500) on 30 Aug 2017

With subtle touches, Crown Heights deftly sketches a portrait of a system designed to fail those without money or influence…

Review of Columbus (2017)

By Noah Gittell (113) for Washington City Paper (500) on 16 Aug 2017

It's an impressive, calculating film about a pair of loners torn between academia and the real world…

Review of Brigsby Bear (2017)

By Noah Gittell (113) for Washington City Paper (500) on 03 Aug 2017

For some, Brigsby Bear might feel saccharine or sentimental, but it is a worthwhile antidote to the cynicism that we often apply to Hollywood…

Review of A Ghost Story (2017)

By Noah Gittell (113) for Washington City Paper (500) on 13 Jul 2017

With little use for the cinematic conventions that humans have relied upon for over a century, it makes every romantic comedy, superhero flick,…

Review of The Little Hours (2017)

By Noah Gittell (113) for Washington City Paper (500) on 06 Jul 2017

It's the kind of movie a 12-year-old boy might stay up late to catch on Cinemax: sweetly sophomoric, not so much a film as a series of sporadically…

Review of The Beguiled (2017)

By Noah Gittell (113) for Washington City Paper (500) on 29 Jun 2017

It's a dynamic situation, but while Coppola tantalizes effectively, the story itself has too much possibility and not enough follow-through…

Review of Maudie (2016)

By Noah Gittell (113) for Washington City Paper (500) on 22 Jun 2017

Maudie is a slow, earnest film that pleasantly subverts the narrow-minded hagiography we expect from the story of an artist…

Review of Manifesto (2017)

By Noah Gittell (113) for Washington City Paper (500) on 08 Jun 2017

For anyone who has ever said, Cate Blanchett is such a great actress that I would watch her read the phone book, Manifesto is here to hold…

Review of I, Daniel Blake (2016)

By Noah Gittell (113) for Washington City Paper (500) on 01 Jun 2017

It's a film about the unsustainable condition of being poor and alive, which admittedly sounds like a grueling experience…

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