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Last updated: 08 Sep 2026 at 10:13 UTC

Movie Reviews by Nicolas Rapold - Page 5 of 25

81-100 of 488 Reviews

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Review of Manchester by the Sea (2016)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 18 Nov 2016

Lonergan's latest, finely-tuned work shows an unbowed director plunging into the depths of grief…

Review of Billy Lynn's Long Halftime Walk (2016)

By Nicolas Rapold (488) for Film Comment Magazine (842) on 03 Nov 2016

Observing these actors' faces, even at rest, is like watching the surface of a lake, noticing it ripple with a breeze…

Review of Captain Fantastic (2016)

By Nicolas Rapold (488) for Film Comment Magazine (842) on 05 Sep 2016

Writer-director Ross lapses into contrivance, narrative and emotional, but it'd be worse without Mortensen's utter conviction and that rugged,…

Review of Cameraperson (2016)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 05 Sep 2016

A celebration of female camaraderie, and a hit-after-hit close-up record of a great cinematographer at the height of her empathic powers…

Review of Into the Forest (2016)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 27 Jul 2016

Rozema's sturdy film tugs effectively at the heartstrings with its tragic spiral and infuses one assault scene with true camera-canting terror…

Review of Into the Forest (2016)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 27 Jul 2016

Rozema's sturdy film tugs effectively at the heartstrings with its tragic spiral and infuses one assault scene with true camera-canting terror…

Review of The Idol (2016)

By Nicolas Rapold (488) for The New York Times (9,847) on 25 May 2016

Mr. Abu-Assad’s pop filmmaking is resolutely simple in its approach and efficiently sentimental…

Review of The Little Traitor (2009)

By Nicolas Rapold (488) for Village Voice (8,525) on 23 May 2016

Terminally mild, ill-structured adaptation of Amos Oz's novel Panther in the Basement…

Review of Pelé: Birth of a Legend (2016)

By Nicolas Rapold (488) for The New York Times (9,847) on 11 May 2016

The film’s director of photography, Matthew Libatique, makes “Pelé” more than an eye-moistening anthem for a built-in global audience…

Review of Black Mass (2015)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 19 Apr 2016

Slavishly hitting Scorsesean music cues, Black Mass lacks the title's implied mystique…

Review of Steve Jobs (2015)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 19 Apr 2016

The shallow great-man-at-high-costs scenario reveals Sorkin as crafting essentially a pop-psychology sitcom (Zingers! The Steve Jobs Story)…

Review of Gone Girl (2014)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 19 Apr 2016

In its dully paranoid revenge scenario in Main Street USA, Gone Girl consistently postures at being more clever than it actually is…

Review of Spotlight (2015)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 18 Apr 2016

Spotlight has many dramatic opportunities to break wide open into moments of outrage, but they're infrequently taken, and keyed to the tensions…

Review of Sicario (2015)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 18 Apr 2016

The strength of this essentially psychological thriller lies in its own queasy, cul-de-sac sense of entering a room where very bad things could…

Review of Carol (1974)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 18 Apr 2016

In their story set in the past, there lies possibility, which is what infuses Carol and Haynes's best work generally, the transcendence of…

Review of Carol (1970)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 18 Apr 2016

In their story set in the past, there lies possibility, which is what infuses Carol and Haynes's best work generally, the transcendence of…

Review of Son of Saul (2015)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 18 Apr 2016

Wrenching not just because of its bereft story but because Nemes gives us as a guide a man who may be broken beyond repair…

Review of In Jackson Heights (2015)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 18 Apr 2016

In this vibrant string of vignettes from this diverse, multicultural, and colorful neighborhood, Wiseman affirms that politics is part of everyday…

Review of Carol (2015)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 18 Apr 2016

In their story set in the past, there lies possibility, which is what infuses Carol and Haynes's best work generally, the transcendence of…

Review of Carol (1990)

By Nicolas Rapold (488) for Brooklyn Magazine (241) on 18 Apr 2016

In their story set in the past, there lies possibility, which is what infuses Carol and Haynes's best work generally, the transcendence of…

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