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Nick Allen

Last updated: 11 Jun 2026 at 20:19 UTC

Movie Reviews by Nick Allen - Page 4 of 20

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Review of Escape the Field (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 06 May 2022

It's ambitious, but with such hand-holding dramatic direction and a dreary visual palette that never creates terror out of random corn stalks,…

Review of The Mystery of Marilyn Monroe: The Unheard Tapes (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 27 Apr 2022

It is too touch-and-go, too speculative about her life and mysterious death, to be of any genuine purpose…

Review of White Hot: The Rise & Fall of Abercrombie & Fitch (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 19 Apr 2022

While this documentary from Alison Klayman can be insightful in taking us inside a phenomenon, its approach can be too broad, with filmmaking…

Review of Choose or Die (2022)

By Nick Allen (397) for The Playlist (3,871) on 15 Apr 2022

Even though it’s more of a vision board of what it could be, the film introduces a nifty premise that recalls not just “A Nightmare on…

Review of Tony Hawk: Until the Wheels Fall Off (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 05 Apr 2022

Tony Hawk: Until the Wheels Fall Off shines brightest when it resembles something like the Alex Honnold free-climbing documentary Free Solo,…

Review of See You Then (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 01 Apr 2022

With fascinating confidence, “See You Then” honors the gradual evolution of a long talk, so much that their literal pacing reads as its…

Review of Moonshot (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 31 Mar 2022

Moonshot is the kind of movie that’s frustrating because of what makes it endearing—there’s so much that makes you wish it were more…

Review of 7 Days (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 25 Mar 2022

7 Days has an overall sweetness that keeps it charismatic for its 85-minute runtime, with an agile directorial eye that makes sure the back-and-forth…

Review of Jane by Charlotte (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 18 Mar 2022

They’ve shared home movies previously, but this documentary—meaningful in concept, but fleeting in its expression—puts them in close-up,…

Review of The Adam Project (2022)

By Nick Allen (397) for The Playlist (3,871) on 10 Mar 2022

When this time travel story is at its best, it gives Reynolds space to convey the frustration one can have about their past, including when…

Review of NO EXIT (2022)

By Nick Allen (397) for The Playlist (3,871) on 28 Feb 2022

While its minimalism can make for a mixed bag of surprises, “Killing Ground” director Damien Power ensures that No Exit has enough of his…

Review of No Exit (2022)

By Nick Allen (397) for The Playlist (3,871) on 28 Feb 2022

While its minimalism can make for a mixed bag of surprises, “Killing Ground” director Damien Power ensures that No Exit has enough of his…

Review of Studio 666 (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 25 Feb 2022

Studio 666 is the kind of broad horror-comedy that could certainly stand to be a little scarier, a little funnier, and more clever overall…

Review of Three Months (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Feb 2022

There’s so much going on in Three Months, so many emotional pieces in motion, but very little of it is particularly moving…

Review of Three Months (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Feb 2022

There’s so much going on in Three Months, so many emotional pieces in motion, but very little of it is particularly moving…

Review of Bigbug (2022)

By Nick Allen (397) for The Playlist (3,871) on 13 Feb 2022

This movie has Jeunet doing “The Jetsons” while ruminating on what a robot uprising might inevitably look like, but that proves to be less…

Review of I Want You Back (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 11 Feb 2022

Jenny Slate and Charlie Day deserve better than “I Want You Back,” a leaden rom-com that gives them a shot at being funny, charming, and…

Review of Moonfall (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 04 Feb 2022

Co-written with Harald Kloser and Spencer Cohen, “Moonfall” is a lumbering, long locomotive of one cliche attached to another, making time…

Review of The Wasteland (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 06 Jan 2022

The Wasteland is the unique case of a horror movie with a more robust visual sense than a lot of its contemporaries, but that still doesn’t…

Review of The Matrix Resurrections (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 21 Dec 2021

There’s incredible merit in the action seen in “The Matrix Resurrections,” but those aren’t the elements that free the mind of the…

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