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Nick Allen

Last updated: 11 Jun 2026 at 23:04 UTC

Movie Reviews by Nick Allen - Page 16 of 20

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Review of The Disaster Artist (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 01 Dec 2017

There is a lacking critical quality to the story as it goes along, touching upon the film’s many idiosyncrasies but leaving them alone…

Review of Destination Unknown (2016)

By Nick Allen (397) for RogerEbert.com (5,563) on 10 Nov 2017

In spite of its shortcomings, Destination Unknown has a cumulative power in upholding people who survived by believing in life and love…

Review of Same Kind of Different as Me (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 19 Oct 2017

It can be hard to disagree with the heart and events of this true tale, except for when the movie reveals itself to be mighty self-congratulatory…

Review of For Ahkeem (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 12 Oct 2017

There is a fascinating impulsiveness to the production of this story, especially as it essentially drops viewers into the world of Daje, and…

Review of Chavela (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 04 Oct 2017

The film is too ordinary to feel like it does her legacy complete artistic justice…

Review of Indivisible (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 20 Sep 2017

While the script has a problem sharing why it was excited to place conjoined twins in such a predicament, the Fontana sisters boast a special…

Review of Dayveon (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 12 Sep 2017

Dayveon stands out with its vision, regional flavor and overall personality…

Review of Spettacolo (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 05 Sep 2017

It is a touching document of seemingly regular people who yearn to keep an artistic tradition alive…

Review of Tulip Fever (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 31 Aug 2017

Tulip Fever reveals itself to be so nutty because it explicitly believes it’s not crazy, rambling through its odd events and obsessions without…

Review of I Do... Until I Don't (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 31 Aug 2017

It’s baffling, more than anything, as to how all of this talent could create something so uncharacteristic to their collective abilities…

Review of Clash (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Aug 2017

Diab effectively creates a monster of blind hatred, and then holds all of us as captors and witnesses to a hateful world tearing itself apart…

Review of Menashe (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 27 Jul 2017

Here is a film dedicated to recognizing our most common obstacles, its quiet storytelling largely accompanied by those feelings at the bottom…

Review of 2:22 (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 29 Jun 2017

With a movie like this, it's hard to tell where the good idea ran out, as it seems to have been lost many drafts ago…

Review of All Eyez on Me (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 15 Jun 2017

All Eyez on Me is one of the most useless music biopics ever made — it’ll be too confusing for newcomers and too underwhelming for those…

Review of Shimmer Lake (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 11 Jun 2017

From start to finish, Uziel’s packaging of the story seems more inspired than its contents…

Review of Absolutely Anything (2015)

By Nick Allen (397) for RogerEbert.com (5,563) on 11 May 2017

Absolutely Anything is more than its unique place in history, and serves to remind us that no one made movies for goofy adults quite like Jones did…

Review of Harold and Lillian: A Hollywood Love Story (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 11 May 2017

Most of all it is a pure story about love, without the scandals…

Review of Tramps (2016)

By Nick Allen (397) for RogerEbert.com (5,563) on 20 Apr 2017

While Tramps may be inspired and unusual, it’s hard to shake off the idea that Leon isn't just making the film he wants to see, he's riffing…

Review of Bokeh (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Mar 2017

Only worthwhile storytellers could take an elevator pitch like this one (the last two people on Earth) and produce long-lasting curiosity about…

Review of Bill Nye: Science Guy (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 20 Mar 2017

Assuredly, and productively, a project made from the modern persona of Nye…

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