Movie Reviews by Molly Templeton - Page 4 of 6

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Review of Carol (2015)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

A slow, intellectual, coming-of-age romance, Carol is a stunningly filmed piece of emotionally distant art…

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Review of Carol (1974)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

A slow, intellectual, coming-of-age romance, Carol is a stunningly filmed piece of emotionally distant art…

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Review of Lady Bird (2017)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

Gerwig and her cast and crew make Lady Bird look so easy that you might initially write it off as charming and slight - but this cinematic…

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Review of Beatriz at Dinner (2017)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

It's hard to see where to land... and Beatriz at Dinner doesn't stick the landing…

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Review of T2 Trainspotting (2017)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

It's so rare to see a film about adults struggling with adulthood that feels like a life rather than a collection of clichés…

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Review of Carol (1970)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

A slow, intellectual, coming-of-age romance, Carol is a stunningly filmed piece of emotionally distant art…

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Review of Wonder Woman (2017)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

This is Diana's journey, and it is a beautiful and affecting indictment of the kind of people who have power yet can move through the world…

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Review of Room (2015)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

A movie that improves on the novel on which it's based is a rare bird - and Room is all the more rare, as Emma Donoghue wrote both…

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Review of Flatliners (2017)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

What called for a new version of the 1990 Julia Roberts/Kiefer Sutherland/Kevin Bacon thriller now? (Or ever, for that matter?)…

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Review of I, Tonya (2017)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

Though occasionally glib, it's powerfully pointed about how willingly the public accepted the classist tale about what kind of person Harding was…

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Review of X-Men: Apocalypse (2016)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

Like all those Zack Snyder movies, Apocalypse is awash in property damage, filling the screen with ribbons of debris and collapsing buildings…

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Review of Girl Asleep (2015)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

Girl Asleep, a whimsical, beautiful Australian film, manages to fit all those concerns - social hierarchy, vicious teasing, the landscape of…

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Review of Blade Runner 2049 (2017)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

Wallace's desire and K's secret are, of course, connected, because in this gorgeous new Blade Runner, the narrative slots neatly together in…

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Review of Batman v Superman: Dawn of Justice (2016)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

BvS strains so hard for relevance that it forgets superheroes are to the adult world what Buffy was to high school: a series of choices and…

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Review of The Hateful Eight (2015)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

The Hateful Eight is beautifully filmed, and Morricone's score should have escaped to find a better movie…

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Review of Nocturnal Animals (2016)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

Tom Ford's second feature, Nocturnal Animals, is a movie within a movie, and while both are lushly attractive, full of precise light and deep…

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Review of Elle (2016)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

Somewhere in the heaping pile of trauma, in Huppert's raised eyebrow, is a dig at narrative norms and character expectations, a vicious twist…

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Review of Carol (1990)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

A slow, intellectual, coming-of-age romance, Carol is a stunningly filmed piece of emotionally distant art…

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Review of Bridge of Spies (2015)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

Bridge of Spies is dramatic, to be sure, but Steven Spielberg can make this kind of movie while sleepwalking: smooth, smart, unsubtle in its…

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Review of Passengers (2016)

By Molly Templeton (111) for Eugene Weekly (OR) (121) on 26 Aug 2018

To say more would be spoiling it - though it's difficult to spoil something when it's already this rotten…

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Page 4 of 6

Molly Templeton has written reviews for:

Eugene Weekly (OR) (121)
Tor.com (87)

Molly Templeton is connected to:

Emily Asher-Perrin (84)
Rick Levin (13)

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