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Last updated: 18 Jul 2026 at 10:39 UTC

Movie Reviews by Mike Mazzanti - Page 2 of 2

21-39 of 39 Reviews

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Review of Mile 22 (2018)

By Mike Mazzanti (39) for The Film Stage (3,162) on 19 Aug 2018

The result is at times quite thrilling, and clocking in at 90 minutes, refreshingly concise…

Review of Puppet Master: The Littlest Reich (2018)

By Mike Mazzanti (39) for The Film Stage (3,162) on 13 Aug 2018

Littlest Reich is almost passionately gory. It’s essentially a series of murders, strung together by the most simplistic method imaginable: a cut…

Review of Summer of 84 (2018)

By Mike Mazzanti (39) for The Film Stage (3,162) on 07 Aug 2018

At its height, Summer of ’84 sings like a sandy page-turner you end up finishing in the fall, with the wind swirling and mischief night just…

Review of The Devil and Father Amorth (2018)

By Mike Mazzanti (39) for The Film Stage (3,162) on 23 Apr 2018

It’s a haphazardly constructed half-film, perhaps better issued as a YouTube clip than a feature a little over an hour…

Review of Mohawk (2018)

By Mike Mazzanti (39) for The Film Stage (3,162) on 28 Feb 2018

While some of its dramatic gestures fall short or feel stilted, it is through sheer pervasive commitment to its characters and message that…

Review of Strange Weather (2016)

By Mike Mazzanti (39) for The Film Stage (3,162) on 28 Jul 2017

Where the brilliance of Strange Weather lies - in great part through Hunter's stunningly human and subtly searing performance - is in its constant…

Review of Pop Aye (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 12 Jul 2017

A film that is heartwarming in its human-to-animal gaze, and yet crushing in its understanding of a human’s flaws…

Review of The B-Side: Elsa Dorfman's Portrait Photography (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 29 Jun 2017

If one wishes to get a glimpse into Elsa Dorfman’s life and work, this is not a poor place to do it…

Review of Drone (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 26 May 2017

Bean’s naturalism and ease helps a lot (he is really quite good), but it is not enough to carry a film that feels this narratively exploitative…

Review of Drone (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 25 May 2017

Bean’s naturalism and ease helps a lot (he is really quite good), but it is not enough to carry a film that feels this narratively exploitative…

Review of King Arthur: Legend of the Sword (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 17 May 2017

Sure, it doesn’t always work — mainly due to some bad writing, shoddy visual effects, and tonal oddities — but when King Arthur: Legend…

Review of Mine (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 09 Apr 2017

A jumbled, hodgepodge of ideas and images that spoil the initially intriguing premise…

Review of Mine (2016)

By Mike Mazzanti (39) for The Film Stage (3,162) on 06 Apr 2017

A jumbled, hodgepodge of ideas and images that spoil the initially intriguing premise…

Review of Mine (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 06 Apr 2017

A jumbled, hodgepodge of ideas and images that spoil the initially intriguing premise…

Review of Bokeh (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 22 Mar 2017

Because of this lack of dramatic momentum, the elements of Bokeh that do work best — the occasionally enrapturing cinematography, the dreamlike…

Review of Mean Dreams (2016)

By Mike Mazzanti (39) for The Film Stage (3,162) on 16 Mar 2017

While Mean Dreams stumbles once or twice, it is a thrillingly dark fable draped in beautiful images and a layered, menacing performance from Paxton…

Review of Kedi (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 09 Feb 2017

Through a good balance of meditative imagery and narrative stylings, Kedi is a joyous little slice of cinema that instills a life-affirming…

Review of Youth in Oregon (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 02 Feb 2017

Youth in Oregon is a struggle to get through — in its frequently puzzling choices and missed opportunities — but it opens up and reveals…

Review of Railroad Tigers (2016)

By Mike Mazzanti (39) for The Film Stage (3,162) on 05 Jan 2017

While a director should have bigger things in mind than just action, even on an action canvas, the rest of the film often feels half-hearted…

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Mike Mazzanti has written reviews for:

The Film Stage (3,162)
CineVue (2,163)

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