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Last updated: 23 Jun 2026 at 00:33 UTC

Movie Reviews by Mick Lasalle - Page 15 of 166

281-300 of 3,303 Reviews

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Review of Judas and the Black Messiah (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 25 Feb 2021

Judas and the Black Messiah quietly announces its modern relevance by presenting as sophisticated a depiction of systemic racism as you could…

Review of The Mauritanian (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 25 Feb 2021

Sure, The Mauritanian is better than staring at metal bars and better than two hours of rigorous legal preparation. But it isn’t better by much…

Review of Cherry (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 25 Feb 2021

Cherry is like three different movies in one: the teen years, the war experience, and then life as a drug addict…

Review of Things You Can Tell Just by Looking at Her (2000)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 12 Feb 2021

Things isn't linear, and it isn't all that lively. But it captures the experience of some modern women, and it feels from the heart…

Review of The Dig (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 28 Jan 2021

All of it works. All of it holds together, guided by the sure hand of director Simon Stone, who subtly imparts his sense of the story…

Review of Nomadland (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 28 Jan 2021

Nomadland is too singular a film to dismiss on technicalities…

Review of Malcolm & Marie (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 28 Jan 2021

In addition to the quality of its dialogue, Levinson’s script is a testament to the value of talking and listening, past the point of discomfort,…

Review of The Little Things (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 28 Jan 2021

Though he crafts a story worthy of a thriller, Hancock’s main concerns here are twofold: the type of personality drawn to this kind of police…

Review of Our Friend (2019)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 21 Jan 2021

Our Friend is both a tribute to a friend and to those rare people that are too humble to realize their own wisdom…

Review of One Night in Miami... (2020)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 14 Jan 2021

The acting is uniformly strong, which says something about King as a director…

Review of Locked Down (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 13 Jan 2021

Certainly, the actors seem to be having a good time, even if the people they’re playing are utterly miserable…

Review of Locked Down (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 13 Jan 2021

Certainly, the actors seem to be having a good time, even if the people they’re playing are utterly miserable…

Review of LOCKED DOWN (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 13 Jan 2021

Certainly, the actors seem to be having a good time, even if the people they’re playing are utterly miserable…

Review of Pieces of a Woman (2020)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 06 Jan 2021

What’s fascinating about Kirby here is that even when she appears to be doing nothing, she’s worth watching…

Review of Sylvie's Love (2020)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 30 Dec 2020

Thompson and Asomugha are nicely paired…

Review of Soul (2020)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 29 Dec 2020

The beauty of Soul is that, just as animation is finding more being demanded of it, Pixar is answering that demand…

Review of The Midnight Sky (2020)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 24 Dec 2020

The last five minutes of Midnight Sky are touching and beautifully acted — if you’re willing to wait for it…

Review of Promising Young Woman (2020)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 24 Dec 2020

Apart from the excellence of this film, Fennell may have tapped into something tonally that truly expresses the moment we’re in…

Review of Wonder Woman 1984 (2020)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 23 Dec 2020

It’s a grand bogus mess passing itself off as a philosophical statement. It has its moments, but they’re few…

Review of Tenet (2020)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 19 Dec 2020

This is a bad film by a good filmmaker. It has the veneer of substantiality, but it’s unsubstantial…

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