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Last updated: 26 Jul 2026 at 12:51 UTC

Movie Reviews by Michael Wilmington - Page 71 of 74

1,401-1,420 of 1,474 Reviews

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Review of The Apartment (1960)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 01 Mar 1984

Second half of the picture is loosely constructed and tends to lag as the rahers go through their paces in over-extending the major plot angle…

Review of To Kill a Mockingbird (1962)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 12 Sep 1983

To Kill A Mockingbird is a product of American realism, and it is a rare and worthy treasure…

Review of Jason and the Argonauts (1963)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 07 Jun 1983

The $3 million film has a workable scenario and has been directed resourcefully and spiritedly by Don Chaffey, under whose leadership a colorful…

Review of The Grapes of Wrath (1940)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 21 May 1982

There is a magnificence to The Grapes of Wrath in the breadth of its ambition, which still makes it the definitive cinematic take on one of…

Review of Written on the Wind (1956)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 11 Sep 1981

The acting is dynamite, the melodrama is compulsive, the photography, lighting, and design share a bold disregard for realism…

Review of The Searchers (1956)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 04 Nov 1980

John Wayne's Ethan is his all-time top performance: funny, romantic, hard-bitten, scary, the personification of machismo…

Review of The Man Who Would Be King (1975)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 04 Oct 1980

The movie, which was shot in Morocco, looks lovely and remote (how did we ever once settle for those black-and-white Hollywood hills…

Review of The Hustler (1961)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 23 Feb 1980

Rossen treats the jousts at the pool tables here like mythic battles waged by legendary knights on a playing field composed of nicotine, dirty…

Review of Christmas in Connecticut (1945)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 28 Jun 1978

Peter Godfrey paces the picture at a fast clip and the writing is laden with fun stuff…

Review of High and Low (1963)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 16 May 1978

Few movies have ever been as subtly, methodically composed as High And Low, in which every shot reflects, to some degree, the dichotomy presented…

Review of No Man of Her Own (1932)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 18 Mar 1978

The dialogue slackens after the first half hour, but the stars have some fine comic moments together, and the intimate precode encounters are…

Review of Carrie (1976)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 07 Mar 1978

A voluptuously shot horror movie, with Piper Laurie (as Carrie's fanatically religious mom) and some nasty teens played by Amy Irving, Nancy…

Review of The Last Detail (1973)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 14 Nov 1977

The Last Detail is one superbly funny, uproariously intelligent performance, plus two others that are very, very good, which are so effectively…

Review of Minnie and Moskowitz (1971)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 27 May 1977

Minnie and Moskowitz could easily be retitled as “Men Who Yell at Gena Rowlands About Why They Should Be an Item”…

Review of The Body Snatcher (1945)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 01 Apr 1977

Literate, but not at the expense of the cinematic, THE BODY SNATCHER is one of Lewton's greatest works and contains what is arguably Karloff's…

Review of Faces (1968)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 01 Feb 1977

This is one of the great alternative masterpieces of the American cinema. In many ways, Cassavetes' most important film…

Review of House of Wax (1953)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 21 Jan 1976

Characters are occasionally in physical danger (a young Charles Bronson, still billed as Charles Buchinsky, plays Jarrod’s mute muscle),…

Review of To Catch a Thief (1955)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 22 Dec 1975

Thief is giddy with eye candy, but the scenery is always secondary to the screenplay, which well serves the blinding star-power on display…

Review of The Holy Mountain (1973)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 18 Dec 1975

With Jodorowsky's meaning somewhat opaque, it's slightly tedious going, but you certainly get plenty to look at…

Review of Brigadoon (1954)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 07 Jul 1975

A classic - if not the classic - Minnelli musical, Brigadoon is an explicit statement about (and partial criticism of) the notion that an artist…

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