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Last updated: 27 Jul 2026 at 01:07 UTC

Movie Reviews by Michael Wilmington - Page 65 of 74

1,281-1,300 of 1,474 Reviews

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Review of Armageddon (1998)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 27 Dec 1998

It looks like a TV ad, or 200 of them strung together, with the same kind of gaudy virtuosity, lavish technique and expensive self-mockery…

Review of Casino (1995)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 17 Dec 1998

Possesses a stylistic boldness and verisimilitude that is virtually matchless…

Review of The General (1998)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 11 Nov 1998

Mr. Boorman, working in top form with a keenly acerbic overview, has written the film so sharply that the facts speak well for themselves…

Review of Ghost in the Machine (1993)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 09 Oct 1998

The plot stumbles over genre cliches after a promising start and the whole thing becomes lamentable…

Review of Side Out (1990)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 30 Jun 1998

When Side Out gets to its “meat--intercutting the beach with the law firm, intercutting frantic lovemaking with a tough volleyball loss,…

Review of Matilda (1996)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 05 Jun 1998

A sprightly fairy tale full of darkness and delight from seemingly unlikely movie collaborators: author Roald Dahl and director-star Danny DeVito…

Review of The Exorcist (1973)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 01 May 1998

This jolting tale of a 12-year-old girl possessed by the devil, her desperate movie actress mother and the two priests called in to exorcise…

Review of Revenge of the Nerds II: Nerds in Paradise (1987)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 23 Mar 1998

It's a gross parody of its original…

Review of MadHouse (1990)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 19 Mar 1998

Madhouse grabs you by the lapels and tries to shake the laughs out of you…

Review of Leaving Las Vegas (1995)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 18 Jan 1998

Draws its audience along a rarely-traveled path whose scope can only be fully appreciated in the silence of the aftermath…

Review of Executive Decision (1996)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 14 Jan 1998

Competently directed by respected film editor Stuart Baird, it's a glossy production with plenty of Things That Go Boom, courtesy of producer/demolition…

Review of The Believers (1987)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 07 Dec 1997

Good as much of John Schlesinger’s The Believers is--and it’s one of the better-produced, more exciting and intelligent thrillers of the…

Review of Total Eclipse (1995)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 11 Nov 1997

Total Eclipse is a biographical film steeped in ecstasy and despair, seething with madness and torment…

Review of Now and Then (1995)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 06 Oct 1997

Now and Then, the story of four girls coming of age in the summer of 1970, drags like a bad summer vacation—it floats hazily, ends suddenly…

Review of Vice Versa (1988)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 03 Oct 1997

Vice Versa may be a better film than Like Father, Like Son, largely because of the direction and Savage’s performance, but it’s still a…

Review of Waterloo Bridge (1940)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 16 Sep 1997

Elaborating on the basic premise of Robert Sherwood's play, and doing a slick job of cleansing to conform to present regulations of the Hays…

Review of California Split (1974)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 21 Aug 1997

An Altman classic on a subject he knows well…

Review of Bottle Rocket (1996)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 08 Aug 1997

It's a cool breeze of a comedy, with a slant on things that's dark but compassionate. Watching Bottle Rocket doesn't just make you laugh…

Review of Absolute Beginners (1986)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 21 Jun 1997

Absolute Beginners is a terrifically inventive original musical for the screen…

Review of Something to Talk About (1995)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 19 May 1997

Quaid is just right as the guilty husband who somehow becomes the wounded party…

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