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Last updated: 04 Jun 2026 at 06:06 UTC

Movie Reviews by Michael O'sullivan - Page 8 of 86

141-160 of 1,712 Reviews

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Review of Antlers (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Oct 2021

Antlers obeys the rules of horror — many of which are familiar, even at times cliche — while also bending them…

Review of Passing (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Oct 2021

The narrative moves toward its foregone conclusion with the low energy of a slow-moving locomotive on train tracks leading to a broken bridge…

Review of Last Night in Soho (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 25 Oct 2021

There’s lots to like about Soho’s constituent parts, but not much time to genuinely savor any of them…

Review of Becoming Cousteau (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 19 Oct 2021

Cousteau is a thorough if somewhat by-the-book profile of a pioneer in the field of marine ecology and an activist for better environmental…

Review of Ascension (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 19 Oct 2021

There is no narration. There are no interviews…

Review of Dune (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 18 Oct 2021

There’s a lot going on here — a quasi-biblical space opera, part Lawrence of Arabia and part mobster movie — and spreading it out over…

Review of Halloween Kills (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 13 Oct 2021

There’s a lot of baloney — along with bodies — sliced up by the end, with Laurie bloviating about how Michael has come to “transcend”…

Review of The Rescue (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 12 Oct 2021

The Rescue isn’t just a movie about cave divers, or a recap of a well-reported humanitarian operation…

Review of LAMB (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 06 Oct 2021

Lamb is weird and disturbing, even by the standards of the movie’s indie distributor, A24, which is known for its eclectic and times unsettling…

Review of Lamb (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 06 Oct 2021

Lamb is weird and disturbing, even by the standards of the movie’s indie distributor, A24, which is known for its eclectic and times unsettling…

Review of No Time to Die (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 05 Oct 2021

Daniel Craig’s fifth and final outing as the secret MI6 superagent James Bond is also a fittingly complicated and ultimately perversely satisfying…

Review of I'm Your Man (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 21 Sep 2021

It’s a heady dramedy, albeit without terribly many tears or laughs, except those that arise, perhaps unintentionally, from the incongruity…

Review of Cry Macho (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 15 Sep 2021

Maybe it’s true that it’s never too late to find a new home. But in some ways, it feels like “Cry Macho” has missed the bus…

Review of Blue Bayou (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 15 Sep 2021

Blue Bayou strikes a nerve, of that there is no doubt. But then it keeps poking at it, pointlessly…

Review of Copshop (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 14 Sep 2021

Though there’s no reinvention of the genre here, Louder’s mesmerizing mouse proves more than a match for the assembled tomcats — all…

Review of The Alpinist (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 08 Sep 2021

There is a revealing narrative here: a conflict, a climax and a denouement that you may not expect…

Review of Candyman (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 25 Aug 2021

Candyman can’t seem to decide whether it wants to scare you or make you think…

Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 23 Aug 2021

It remembers to have fun. It’s a kick to watch — often literally — and the kind of popcorn movie summer is made for…

Review of The Protégé (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 19 Aug 2021

The Protege may not rise to the level of art, but like Anna herself, it does demonstrate a mastery of a certain set of skills, however limited…

Review of The Night House (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 17 Aug 2021

Warts and all, The Night House is, in the truest sense of the word, kind of haunting…

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Page 8 of 86

Michael O'sullivan has written reviews for:

Washington Post (9,851)
Film Ireland Magazine (354)

Michael O'sullivan is connected to:

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