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Last updated: 05 Jun 2026 at 16:27 UTC

Movie Reviews by Michael O'sullivan - Page 24 of 86

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Review of The King's Choice (2016)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 04 Oct 2017

King Arthur: Legend of the Sword is a fun, if sacrilegious, first step in a franchise creation — one that observes the first commandment…

Review of Blade Runner 2049 (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 01 Oct 2017

Blade Runner 2049, the superb new sequel by Denis Villeneuve (“Arrival”), doesn’t just honor that legacy, but, arguably, surpasses it,…

Review of Victoria & Abdul (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Sep 2017

Victoria and Abdul might have aimed for poignancy — and at times it almost strikes that tone — but for the most part, it plays like broadly…

Review of mother! (2017)

By Michael O'sullivan (1,712) for Film Ireland Magazine (354) on 20 Sep 2017

What can be said is that watching it personally felt draining as the credits rolled and probably won't be one I'll return to again for a long time…

Review of The Lego Ninjago Movie (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 20 Sep 2017

Lessons will be learned about teamwork and reconciliation, and many jokes will be told along the way. Some of those jokes are pretty funny…

Review of Mother (2016)

By Michael O'sullivan (1,712) for Film Ireland Magazine (354) on 20 Sep 2017

What can be said is that watching it personally felt draining as the credits rolled and probably won't be one I'll return to again for a long time…

Review of Birthright: A War Story (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 20 Sep 2017

Birthright suggests that the loss of women’s bodily autonomy — via laws limiting access to abortion — is a human rights issue…

Review of School Life (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 14 Sep 2017

In tone, School Life feels like a recruiting film for prospective students…

Review of It (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 06 Sep 2017

If it doesn’t rewrite the rules of horror, it calls attention to them, in a manner that is not just flamboyant, but also baroque…

Review of Beach Rats (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 06 Sep 2017

This very thinly sliced character study of beautiful if benighted adolescence is more a pre-coming-of-age tale, one that takes us close to,…

Review of Detroit (2017)

By Michael O'sullivan (1,712) for Film Ireland Magazine (354) on 31 Aug 2017

Although Detroit adheres as faithfully as possible to the facts, the framing of the trial can't help but feel clichéd and redundant…

Review of American Made (2017)

By Michael O'sullivan (1,712) for Film Ireland Magazine (354) on 29 Aug 2017

Liman knows how to keep the convoluted, almost impossibly far-fetched story on the rails, without losing our attention, and he adds many details…

Review of Ingrid Goes West (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 23 Aug 2017

Ingrid Goes West doesn’t quite go south, but in diving headfirst into the swamp of Internet addiction, its vision gets a little murky…

Review of Rumble: The Indians Who Rocked the World (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 23 Aug 2017

About a musical genre not known for quiet contemplation, “Rumble” asks us to be still for a moment and to listen to the heartbeat — at…

Review of Guess Who (2005)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 20 Aug 2017

If Guess Who were either a whole lot funnier, or a whole lot less funny, it would be a far better film…

Review of The Emoji Movie (2017)

By Michael O'sullivan (1,712) for Film Ireland Magazine (354) on 16 Aug 2017

To put it in the film's own terms, The Emoji Movie is one big pile of Patrick Stewart…

Review of Girls Trip (2017)

By Michael O'sullivan (1,712) for Film Ireland Magazine (354) on 16 Aug 2017

Girls Trip is the perfect example of star charisma elevating the material they're working with…

Review of England Is Mine (2017)

By Michael O'sullivan (1,712) for Film Ireland Magazine (354) on 16 Aug 2017

Music biographies are best when they offer insight into an artist's life for fans and an introduction for newcomers. England is Mine offers neither…

Review of The Hitman's Bodyguard (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 16 Aug 2017

Despite all the mayhem, The Hitman’s Bodyguard is a surprisingly bland dish…

Review of The Only Living Boy in New York (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 09 Aug 2017

How ironic then, in a movie about wordsmithing, that The Only Living Boy in New York is tripped up not by tawdry behavior, but by terrible writing…

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Page 24 of 86

Michael O'sullivan has written reviews for:

Washington Post (9,851)
Film Ireland Magazine (354)

Michael O'sullivan is connected to:

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