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Last updated: 27 Jul 2026 at 20:24 UTC

Movie Reviews by Megan Lehmann - Page 7 of 13

121-140 of 257 Reviews

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Review of Looney Tunes: Back in Action (2003)

By Megan Lehmann (257) for New York Post (6,650) on 15 Apr 2010

The meta jokes come thick and fast - some clunk, but there's no time to mourn - and the references are far from limited to the Warner Bros…

Review of Welcome to Mooseport (2004)

By Megan Lehmann (257) for New York Post (6,650) on 16 Mar 2010

Screenwriter Tom Schulman, who won an Oscar for Dead Poets Society, gives us a narrative reminiscent of a pup chasing its tail, as characters…

Review of The 24th Day (2004)

By Megan Lehmann (257) for New York Post (6,650) on 10 Mar 2010

Boasts one of the most ludicrous plots ever committed to digital video…

Review of My Baby's Daddy (2004)

By Megan Lehmann (257) for New York Post (6,650) on 25 Feb 2010

The finished product looks like it was thrown together during a lunch break -- by a drunk person…

Review of Dirty Pretty Things (2002)

By Megan Lehmann (257) for New York Post (6,650) on 07 Feb 2010

Part urban thriller, part unorthodox love story, this well-acted portrayal of the shadowy realm occupied by London's illegal immigrants is…

Review of Food of Love (2002)

By Megan Lehmann (257) for New York Post (6,650) on 20 Nov 2009

Some solid performances and pretty scenery don't do much to conceal that there's a whole heap of nothing at the core of this slight coming-of-age/coming-out…

Review of The Cookout (2004)

By Megan Lehmann (257) for New York Post (6,650) on 28 Aug 2009

Nasty, borderline bigoted, stunningly amateurish film…

Review of Martin Lawrence Live: Runteldat (2002)

By Megan Lehmann (257) for New York Post (6,650) on 19 Aug 2009

It wouldn't matter so much that this arrogant Richard Pryor wannabe's routine is offensive, puerile and unimaginatively foul-mouthed if it…

Review of The Bourne Supremacy (2004)

By Megan Lehmann (257) for New York Post (6,650) on 17 Aug 2009

The strapping Damon's lived-in performance makes us happy to follow Bourne wherever he may go…

Review of Trapped (2002)

By Megan Lehmann (257) for New York Post (6,650) on 12 Aug 2009

A tightly drawn, propulsive thriller with some pleasingly unexpected kinks in the tale and a couple of believable performances from Charlize…

Review of Femme Fatale (2002)

By Megan Lehmann (257) for New York Post (6,650) on 23 May 2009

De Palma fools around with split screens and slo-mo, but no amount of cinematic artifice can varnish over the fact that this is simply a bad film…

Review of Love the Beast (2009)

By Megan Lehmann (257) for Hollywood Reporter (2,966) on 02 Apr 2009

Bana's easygoing manner and a lingering sense of nostalgia build a mellow mood overall, while shrewd editing by Conor O'Neill and a rocking…

Review of I Capture the Castle (2003)

By Megan Lehmann (257) for New York Post (6,650) on 31 Mar 2009

Makes its biggest misstep in failing to persuade the viewer the five family members are charming eccentrics rather than irritating weirdos…

Review of The Fighting Temptations (2003)

By Megan Lehmann (257) for New York Post (6,650) on 21 Mar 2009

Diva du jour Beyoncé Knowles may be the draw, but the real star of The Fighting Temptations is the sensational gospel soundtrack…

Review of Runaway Jury (2003)

By Megan Lehmann (257) for New York Post (6,650) on 11 Mar 2009

Delivers one of those classic movie moments in which two screen legends go toe to toe, both barrels metaphorically blazing…

Review of Dumb and Dumberer: When Harry Met Lloyd (2003)

By Megan Lehmann (257) for New York Post (6,650) on 21 Feb 2009

A harmless celebration of idiocy that is the cinematic equivalent of an overeager, block-headed puppy chasing its tail…

Review of Thirteen (2003)

By Megan Lehmann (257) for New York Post (6,650) on 07 Feb 2009

Despite its shock value, Thirteen rises above dysfunctional-family-drama cliches, thanks to the truthfulness of its script and the keen eye…

Review of The Polar Express (2004)

By Megan Lehmann (257) for New York Post (6,650) on 01 Jan 2009

Devoid of 21st-century irony, this visually stunning, action-packed yuletide treat is sweet and, yes, magical in a way that will enchant kids…

Review of The Forgotten (2004)

By Megan Lehmann (257) for New York Post (6,650) on 27 Nov 2008

The worst crime perpetrated in the Swiss-cheese screenplay by Gerald Di Pego (Angel Eyes) is the cynical use of a mother's love for her child…

Review of Birth (2004)

By Megan Lehmann (257) for New York Post (6,650) on 23 Sep 2008

Kidman gives an other stunning performance in Birth, but it is a riddle wrapped in a mystery inside an enigma that ultimately reveals . . . not much…

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