Movie Reviews by Mauro_Lanari - Page 18 of 34

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Review of Oslo (2021)

By Mauro_Lanari (665) on 02 Oct 2021

(Mauro Lanari) With the birth of hermeneutic philosophy in the last century (Gadamer, not Schleiermacher), it was debated whether we were granted…

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Review of Dream Horse (2021)

By Mauro_Lanari (665) on 01 Oct 2021

(Mauro Lanari) Pet therapy in the sense of the Disneyan sports movies: community hippotherapy with the same limit of the mediocre cover version…

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Review of Superintelligence (2020)

By Mauro_Lanari (665) on 27 Sep 2021

(Mauro Lanari) Artificial intelligence becomes self-aware, judges humanity and concludes that it is better to destroy it for the good of the…

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Review of Edge of the World (2021)

By Mauro_Lanari (665) on 26 Sep 2021

(Mauro Lanari) True story that tells the alleged idyllic, irenic, paradisiacal relationship of a man, Brooke, with the nature of Borneo and,…

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Review of Reminiscence (2021)

By Mauro_Lanari (665) on 20 Sep 2021

(Mauro Lanari) Lisa Joy's debut is an unsuccessful remake of Blade Runner threaded between Strange Days and Waterworld: the score of Vangelis…

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Review of The Misfits (2021)

By Mauro_Lanari (665) on 19 Sep 2021

(Mauro Lanari) Brosnan produces himself in a clone of Guy Ritchie: the result is no worse than his last films, but is not up to the first ones…

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Review of The Colony (2021)

By Mauro_Lanari (665) on 18 Sep 2021

(Mauro Lanari) The Germans apes the Yankees and do no better: the most sci-fi aspect of this subgenre of films is a future in which the dystopian…

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Review of The Seventh Day (2021)

By Mauro_Lanari (665) on 14 Sep 2021

(Mauro Lanari) A B movie that dares to escape the banal horror of The Conjuring saga to return to the unresolved points of the omnipervasiveness…

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Review of Worth (2021)

By Mauro_Lanari (665) on 14 Sep 2021

(Mauro Lanari) The movie revolves around a formula to compensate victims of 9/11: empathy vs. maths, humanity vs. economics…

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Review of Kate (2021)

By Mauro_Lanari (665) on 13 Sep 2021

(Mauro Lanari) Why label an exploitation film as action, once again produced by Leitch with 10 or 20 stunt performers for each actor, gory,…

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Review of The Courier (2020)

By Mauro_Lanari (665) on 02 Sep 2021

(Mauro Lanari) Cumberbatch produces himself in a movie with which he wants to prove that he is a good actor not only in the management of psychic…

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Review of Promising Young Woman (2020)

By Mauro_Lanari (665) on 30 Aug 2021

(Mauro Lanari) The directorial debut of the English actress and screenwriter Emerald Fennell was produced by Margot Robbie who, as Dennis Harvey…

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Review of Synchronic (2020)

By Mauro_Lanari (665) on 29 Aug 2021

(Mauro Lanari) 1) Einstein's neoparmenidism (1905) proposes the concept of problematic and questionable spacetime…

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Review of The Protégé (2021)

By Mauro_Lanari (665) on 27 Aug 2021

(Mauro Lanari) Yet another revenge movie of killer stunt performers with the psychological depth of a shooter: graphically very cute, but eliminating…

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Review of Gunpowder Milkshake (2021)

By Mauro_Lanari (665) on 26 Aug 2021

(Mauro Lanari) Does female emancipation pass through a Kill Bill multiplied n times or a matriarchal John Wick with choreography of bullets…

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Review of The Water Man (2020)

By Mauro_Lanari (665) on 25 Aug 2021

(Mauro Lanari) Oprah Winfrey produces David Oyelowo's directorial debut, a mix of drama, family, adventure and 90s fantasy…

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Review of Free Guy (2021)

By Mauro_Lanari (665) on 23 Aug 2021

(Mauro Lanari) Did you know that the first Matrix was designed to be a perfect human world, where none suffered, where everyone would be happy…

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Review of Sweet Girl (2021)

By Mauro_Lanari (665) on 22 Aug 2021

(Mauro Lanari) Poised between Aquadaughter and Wonder Woman Gen Z, it is a series of increasingly absurd sequences: reached its climax, finished…

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Review of Aquaman (2018)

By Mauro_Lanari (665) on 22 Aug 2021

(Mauro Lanari) If to tell the story of a superhero the screenwriters plunder those of King Arthur and Pinocchio, it is better to change jobs…

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Review of Old (2021)

By Mauro_Lanari (665) on 21 Aug 2021

(Mauro Lanari) Shyamalan had to stop being himself to make a decent movie…

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