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Last updated: 26 Jul 2026 at 22:09 UTC

Movie Reviews by Matt Zoller Seitz - Page 8 of 32

141-160 of 637 Reviews

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Review of Elephant (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 03 Apr 2020

The voice-over explains things that we could have understood from looking at the images. It rarely passes up the opportunity to drop in a cliche…

Review of Elephant (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 03 Apr 2020

The voice-over explains things that we could have understood from looking at the images. It rarely passes up the opportunity to drop in a cliche…

Review of Human Capital (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 20 Mar 2020

Human Capital is so exquisitely cast, down to the smallest role, that it puts viewers in the unusual position of wishing a film were a TV series…

Review of A Hidden Life (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 13 Dec 2019

It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of…

Review of Midnight Family (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 Dec 2019

This is one of the great contemporary films about the look and feel of a big city after dark, luxuriating in the vastness of almost-empty avenues…

Review of A Million Little Pieces (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 Dec 2019

It's the kind of film where you start trying to guess which of the characters will turn out to be a figment of the narrator's imagination…

Review of 63 Up (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 27 Nov 2019

I didn't come out of this one feeling depressed or even particularly sad, more reflective…

Review of Dark Waters (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Nov 2019

At its most controlled and insinuating, Dark Waters is reminiscent of paranoid thrillers from the 1970s like The Parallax View and Chinatown,…

Review of Varda by Agnès (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Nov 2019

Once in a while you encounter a piece that seems like a premeditated farewell — a conscious summing-up of the life and work — whether or…

Review of Mickey and the Bear (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 13 Nov 2019

It's worth seeking out for the way it observes psychologically complex small-town characters struggling to endure present-day hardships and…

Review of Klaus (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 08 Nov 2019

The goofy and charming Klaus probably plays better if you don't know going in that it's a Santa Claus origin story…

Review of The Kill Team (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 31 Oct 2019

Lean, sincere, impassioned filmmaking, yet it fails to leave as much of an impression as it clearly wants to…

Review of Motherless Brooklyn (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 31 Oct 2019

The most surprising thing about director/writer/star Edward Norton’s Motherless Brooklyn is how drastically it departs from its source…

Review of Maleficent: Mistress of Evil (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 17 Oct 2019

The result is a disappointment that's more crushing than an outright bad movie would be…

Review of El Camino: A Breaking Bad Movie (2019)

By Matt Zoller Seitz (637) for New York Magazine (Vulture) (3,519) on 11 Oct 2019

Beyond its brash confidence as a piece of filmmaking and its homages to the Western (including the use of a wider frame than was used on the…

Review of Memory: The Origins of Alien (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 04 Oct 2019

It weaves every detail — whether provided by an on-camera witness, a document, a drawing, a painting or a photograph — around that set…

Review of The Irishman (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 27 Sep 2019

Alternately sad, violent, and dryly funny…

Review of Where's My Roy Cohn? (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 21 Sep 2019

In his mind, Cohn was still the hero of his own story…

Review of Downton Abbey (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 20 Sep 2019

It works. It really works. It's goodhearted and clever, and it knows when to end…

Review of Moonlight Sonata: Deafness in Three Movements (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 13 Sep 2019

It isn’t until deep into “Moonlight Sonata” that you start to realize how many patterns Brodsky has woven into the fabric of this tale…

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