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Last updated: 26 Jul 2026 at 15:01 UTC

Movie Reviews by Matt Zoller Seitz - Page 6 of 32

101-120 of 637 Reviews

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Review of Together Together (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 23 Apr 2021

Together Together is not just smart, it's sneaky-smart…

Review of In the Earth (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 19 Apr 2021

In the Earth is a film made for midnight showings. It's ominous, brutal, pretentious, and often stirring…

Review of Mapplethorpe (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 02 Apr 2021

The thing that makes the film stand out is the way it shows artists relating to each other and to their work…

Review of Godzilla vs. Kong (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 29 Mar 2021

Godzilla vs. Kong is a crowd-pleasing, smash-'em-up monster flick and a straight-up action picture par excellence…

Review of A Week Away (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Mar 2021

This isn't an unwatchable movie, just an underachieving and forgettable one, and somehow that's more irritating than a disastrous swing for…

Review of Zack Snyder's Justice League (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 15 Mar 2021

It's so bombastic that it makes Batman v. Superman: Dawn of Justice seem modest…

Review of Chaos Walking (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 05 Mar 2021

Once you're immersed, it's a powerful experience that lingers in the mind long after the film's many disappointments have started to fade…

Review of The United States vs. Billie Holiday (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Feb 2021

The United States vs. Billie Holiday is so misguided that it's hard to know where to start griping about it…

Review of Lapsis (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 16 Feb 2021

The filmmaker does a phenomenal job of setting up this world in a natural-seeming way, smuggling mountains of pertinent fact into conversations…

Review of Falling (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 05 Feb 2021

This is not the kind of film you put on during a holiday when you want something that the extended family can relax and enjoy…

Review of Soul (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 17 Dec 2020

Cars and its various derivatives aside, Pixar has never released a flat-out bad film…

Review of Minari (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 14 Dec 2020

It’s impossible not to appreciate the deep understanding of human behavior, as well as the way that ordinary objects and situations acquire…

Review of The Prom (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 09 Dec 2020

Netflix's The Prom is billed as a musical comedy because people sing in it while making funny faces, but beyond that, the relative levels of…

Review of Hillbilly Elegy (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 12 Nov 2020

It's not a great or even particularly distinctive movie, but it's heartfelt and plain-spoken enough that it might connect with viewers whose…

Review of The Dark and the Wicked (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 Nov 2020

Without giving too much away, suffice to say that there's a reason why human beings have traditionally described doing work on one's own psyche…

Review of Synchronic (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 23 Oct 2020

While it offers some gripping and/or darkly beautiful images, it's ultimately more about ideas than spectacle, proving (like every previous…

Review of Dick Johnson Is Dead (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 02 Oct 2020

Maybe Dick Johnson is Dead is the filmmaking equivalent of the band on the deck of the Titanic playing their hearts out while the water rises…

Review of Spontaneous (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 02 Oct 2020

Whenever Spontaneous starts to run out of imaginative juice, it turns a tonal corner and either puts a smile on your face or wipes it off…

Review of Ava (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Sep 2020

If the action and espionage elements were executed at the same level as the dramatic and comedic exchanges and the observations about the types…

Review of The Nest (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 18 Sep 2020

Writer-director Sean Durkin (Martha Marcy May Marlene) has delivered a nearly perfect film here — the cinematic equivalent of of those substantial,…

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