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Last updated: 26 Jul 2026 at 13:24 UTC

Movie Reviews by Matt Zoller Seitz - Page 3 of 32

41-60 of 637 Reviews

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Review of The American Dream and Other Fairy Tales (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Sep 2022

This is a compelling story about persistent problems that affect the majority of Americans, even though you don't hear about them very often…

Review of Do Revenge (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 16 Sep 2022

The characters are constructs who are so aware of themselves as constructs (and the plot, too) that there's really no reason why we should…

Review of Peter von Kant (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 Sep 2022

François Ozon's Peter von Kant is an odd, chilly film, even by this director's standards…

Review of Three Minutes: A Lengthening (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Aug 2022

Bianca Stigter's documentary Three Minutes: A Lengthening is a great film about filmmaking and a quietly devastating memorial for lives long gone…

Review of Day Shift (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 12 Aug 2022

Everyone in this cast does their best to strike the right balance between seeming in on the joke and acting like all of this bloody absurdity…

Review of Bullet Train (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 05 Aug 2022

Bullet Train is at its best when it's a comedy about self-styled badasses who think they're free agents but are really all just passengers…

Review of Fire of Love (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 Jul 2022

Fire of Love is one of a vanishingly rare breed of documentary that is determined to be total cinema, not just capturing the facts of what…

Review of Fourth of July (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 01 Jul 2022

This is the kind of earnest but inept and obliviously indulgent indie flick that a film festival's artistic director would program in full…

Review of First Love (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 27 Jun 2022

First Love is an earnest but unremarkable romance wrapped around an intelligent and sometimes powerful story of the destruction that capitalism…

Review of Relative (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 14 Jun 2022

By the time the film eases into its final stretch, it becomes a sub-genre of drama that I call accidental radio, meaning that even though there…

Review of Jurassic World Dominion (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 14 Jun 2022

Ninety minutes of footage like this, minus any characters or plot at all, probably would've resulted in an artistically better use of a couple…

Review of Relative (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 14 Jun 2022

By the time the film eases into its final stretch, it becomes a sub-genre of drama that I call accidental radio, meaning that even though there…

Review of 18½ (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 03 Jun 2022

Part of the film's specialness lies in the fact that there seems to be little rhyme or reason to the choices it makes, or when it decides to…

Review of Emergency (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 23 May 2022

This is a dazzling movie, all the more so for being made on a seemingly tiny budget…

Review of Montana Story (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 16 May 2022

There are many rewards to be found here, not the least of which is a skill at staging scenes with beginnings, middles, and ends that are entirely…

Review of Human Factors (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 May 2022

Trocker is deft at creating situations that go right up to the edge of blatant symbolism or metaphor, bit resist the urge to pitch themselves…

Review of The Survivor (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 27 Apr 2022

Like its lead character, and the actor who plays him, Barry Levinson's The Survivor initially presents as familiar and comprehensible…

Review of The Survivor (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 27 Apr 2022

Like its lead character, and the actor who plays him, Barry Levinson's The Survivor initially presents as familiar and comprehensible…

Review of Apollo 10½: A Space Age Childhood (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 01 Apr 2022

A film like Linklater's brings you inside the consciousness of a person whose perceptions of the world are simultaneously constrained and curious,…

Review of Infinite Storm (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 25 Mar 2022

If this movie and her previous project signal a shift in Watts' career that will be dominated by survival tales that put her at the center…

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