Movie Reviews by Matt Donato - Page 5 of 49

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Review of Clerks III (2022)

By Matt Donato (975) for IGN (1,013) on 09 Sep 2022

Clerks III delivers all the inappropriate cuss-cluttered humor and pot smoke that is Kevin Smith's trademark but evolves his sentimentality…

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Review of House of Darkness (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 08 Sep 2022

Where Josh Ruben’s Scare Me soars thanks to tension delivered through imaginative monologues, LaBute’s latest is mostly benign chatter…

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Review of Barbarian (2022)

By Matt Donato (975) for IGN (1,013) on 07 Sep 2022

Barbarian is one of the wildest horror films in years from its combination of subgenres to full-throttle approach to unapologetic exploitation themes…

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Review of Margaux (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 07 Sep 2022

Margaux is younger adult horror with an edgier attitude and pops of twisted comedy, which helps distract from digital effects that look like…

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Review of Who Invited Them (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 01 Sep 2022

Who Invited Them pays mind to cliquish popularity games more than its home invasion peers, which becomes its booze-soaked schoolyard charm…

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Review of GoldenEra (2023)

By Matt Donato (975) for IGN (1,013) on 31 Aug 2022

GoldenEra charts the rise of GoldenEye 007 in a documentary that should thrill those still holding onto their love of one of the N64’s most…

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Review of The Invitation (2022)

By Matt Donato (975) for IGN (1,013) on 31 Aug 2022

The Invitation represents everything that makes for a middle-of-the-road vampire experience, but doesn’t deserve to be wholly written off…

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Review of Maneater! (2022)

By Matt Donato (975) for IGN (1,013) on 24 Aug 2022

Maneater proves that shark horror flicks need to be more than just a finned predator in any form and dead bodies — execution matters, especially…

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Review of Maneater (2022)

By Matt Donato (975) for IGN (1,013) on 24 Aug 2022

Maneater proves that shark horror flicks need to be more than just a finned predator in any form and dead bodies — execution matters, especially…

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Review of Orphan: First Kill (2022)

By Matt Donato (975) for IGN (1,013) on 15 Aug 2022

Orphan: First Kill doubles down as a prequel about Esther but manages to feel so uniquely standalone thanks to some supreme storytelling swings…

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Review of Prey (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 03 Aug 2022

Prey is inarguably the best Predator since the original…

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Review of Prey (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 03 Aug 2022

Prey is inarguably the best Predator since the original…

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Review of Bullet Train (2022)

By Matt Donato (975) for IGN (1,013) on 02 Aug 2022

The craziness of David Leitch's train never goes off the rails nor reaches top speeds but still brings us along for a smooth and stable joyride…

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Review of Allegoria (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 01 Aug 2022

Allegoria uses an anthology format to unleash the evils behind a writer’s insecurities, an actor’s doubts and a painter’s perfectionist…

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Review of Glorious (2022)

By Matt Donato (975) for Slashfilm (971) on 27 Jul 2022

Glorious might not save the world, yet it's still a wonderful way to pass the time while humanity as we know it is devoured by threats we'll…

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Review of Glorious (2022)

By Matt Donato (975) for Slashfilm (971) on 27 Jul 2022

Glorious might not save the world, yet it's still a wonderful way to pass the time while humanity as we know it is devoured by threats we'll…

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Review of The Reef: Stalked (2022)

By Matt Donato (975) for IGN (1,013) on 26 Jul 2022

The Reef: Stalked is another middling mid-budget fin flick that’s tonally confused somewhere between Shark Week and Lifetime…

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Review of American Carnage (2022)

By Matt Donato (975) for IGN (1,013) on 15 Jul 2022

With shades of Get Out, Culture Shock, and The Forever Purge, American Carnage is yet another frightening-enough, albeit bogged-down, tale…

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Review of The Long Night (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 30 Jun 2022

The Long Night’s understanding of horror genre fulfillment is nonexistent, no more satisfying than rice cakes with a little red food coloring…

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Review of Revealer (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 22 Jun 2022

Revealer aims for a seedy, late-night Cinemax vibe and successfully tells a story about the horrors of oppressing individual expression, but…

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