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Last updated: 01 Sep 2026 at 08:55 UTC

Movie Reviews by Mark Kennedy - Page 2 of 10

21-40 of 184 Reviews

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Review of Missing (2023)

By Mark Kennedy (184) for The Associated Press (882) on 18 Jan 2023

Missing, building off the related film “Searching” from 2018, manages to make a film about small screens feel electric on a big one…

Review of The Pale Blue Eye (2022)

By Mark Kennedy (184) for The Associated Press (882) on 22 Dec 2022

The film has a few odd jumps and seemingly comes to a fiery conclusion — finally some warmth, good God — but it’s a false ending…

Review of Whitney Houston: I Wanna Dance with Somebody (2022)

By Mark Kennedy (184) for The Associated Press (882) on 21 Dec 2022

Ackie’s performance is something to be cheered, reaching for the the kind of authenticity that Andra Day channeled when she also tackled…

Review of The Whale (2022)

By Mark Kennedy (184) for The Associated Press (882) on 08 Dec 2022

This is a film that stays with you and changes you. It is heavy, indeed…

Review of Violent Night (2022)

By Mark Kennedy (184) for The Associated Press (882) on 29 Nov 2022

It’s easy to initially dismiss it as an “SNL” digital short that got high on its own tinsel but there is a sort of perverse glee to seeing…

Review of Devotion (2022)

By Mark Kennedy (184) for The Associated Press (882) on 21 Nov 2022

The script by Jake Crane and Jonathan A. H. Stewart is a slow-burning affair that will have audiences tugging at the leash…

Review of The Fabelmans (2022)

By Mark Kennedy (184) for The Associated Press (882) on 08 Nov 2022

The focus sometimes gets a bit blurry, to be honest and the whole thing often doesn’t add up to much…

Review of Causeway (2022)

By Mark Kennedy (184) for The Associated Press (882) on 01 Nov 2022

Causeway, directed by Lila Neugebauer with a straightforward honesty, sounds more manipulative and manufactured than it is…

Review of Wendell & Wild (2022)

By Mark Kennedy (184) for The Associated Press (882) on 25 Oct 2022

Beneath it all is the story of a child’s love and guilt — and an education and judicial system letting her down — which propels her to…

Review of Black Adam (2022)

By Mark Kennedy (184) for The Associated Press (882) on 18 Oct 2022

Director Jaume Collet-Serra and the design team do a great job in every department but are let down by a derivative and baggy screenplay by…

Review of Amsterdam (2022)

By Mark Kennedy (184) for The Associated Press (882) on 04 Oct 2022

Amsterdam reaches for something contemporary to say about race relations, concentration of wealth, veterans and fascism but ends up with a…

Review of Bros (2022)

By Mark Kennedy (184) for The Associated Press (882) on 28 Sep 2022

It’s not a perfect film — the first half sags a little, the jump in Bobby’s career is jarring and some soliloquies land with a thud —…

Review of Sidney (2022)

By Mark Kennedy (184) for The Associated Press (882) on 23 Sep 2022

It glows with respect for a man who earned it…

Review of See How They Run (2022)

By Mark Kennedy (184) for The Associated Press (882) on 14 Sep 2022

The filmmakers employ all kinds of ways to try to keep viewers interested, like split screens, some farce and a surreal dream sequence, but…

Review of Barbarian (2022)

By Mark Kennedy (184) for The Associated Press (882) on 07 Sep 2022

Barbarian is firmly of it’s time — online house rental bookings, smart-phone flashlights and real estate square footage listings — and…

Review of Post Malone: Runaway (2022)

By Mark Kennedy (184) for The Associated Press (882) on 17 Aug 2022

As for the documentary about the man of the hour, do as the title suggests: Run away…

Review of Mack & Rita (2022)

By Mark Kennedy (184) for The Associated Press (882) on 11 Aug 2022

Virtually no one associated with this film should be congratulated in any way, having ruptured any bridges between Hollywood and senior citizens…

Review of Thirteen Lives (2022)

By Mark Kennedy (184) for The Associated Press (882) on 03 Aug 2022

Neither the divers nor kids, government officials nor families and volunteers really come into focus, staying as murky as the miles of submerged cave…

Review of A Love Song (2022)

By Mark Kennedy (184) for The Associated Press (882) on 26 Jul 2022

As a viewer, you may leave the theater with more answers than when you arrived — and that’s refreshing…

Review of Paws of Fury: The Legend of Hank (2022)

By Mark Kennedy (184) for The Associated Press (882) on 13 Jul 2022

Paramount’s limp, animated remake actually triggers new stereotypes in the service of trying to expose racism for a pre-teen audience…

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