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Mark Feeney

Last updated: 25 Jul 2026 at 15:07 UTC

Movie Reviews by Mark Feeney - Page 11 of 22

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Review of The Two Popes (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 05 Dec 2019

Both Pryce and Hopkins are fine. But on the basis of the rest of the movie they shouldn’t have a prayer…

Review of Recorder: The Marion Stokes Project (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 04 Dec 2019

Wolf relies on the videos far too much. That over-reliance makes Recorder feel padded, as does his frequent use of reenactments…

Review of Frozen II (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 19 Nov 2019

With so much going on, it’s easy to overlook that the most profound and moving relationship in either film is the bond between Elsa and Anna…

Review of The Good Liar (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 13 Nov 2019

It’s McKellen’s and Mirren’s. Their back-and-forth provides a satisfaction akin to watching two masters volley at Wimbledon…

Review of The Report (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 13 Nov 2019

It’s never a good sign when the most dramatic scene in a movie owes its power to C-SPAN footage. That’s the case with The Report…

Review of Motherless Brooklyn (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 01 Nov 2019

What’s best about the movie is mood and texture, and the ensemble cast (the second best thing about the movie) mostly defers to those qualities…

Review of Pain and Glory (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 16 Oct 2019

Just to remind us that he’s Almodóvar — and to make it up to us that Serrano looks so implausibly different from Cruz — the movie ends…

Review of First Love (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 02 Oct 2019

So expect the upending of expectations: visual, emotional, tonal, generic. Especially generic. Is First Love a comedy? A crime thriller…

Review of Where's My Roy Cohn? (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 02 Oct 2019

The biggest problem with Where’s My Roy Cohn…

Review of First Love (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 02 Oct 2019

So expect the upending of expectations: visual, emotional, tonal, generic. Especially generic. Is First Love a comedy? A crime thriller…

Review of First Love (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 02 Oct 2019

So expect the upending of expectations: visual, emotional, tonal, generic. Especially generic. Is First Love a comedy? A crime thriller…

Review of Ad Astra (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 17 Sep 2019

Ad Astra is moody, meditative, and slow (though not the knife fight or rover demolition derby)…

Review of Raise Hell: The Life & Times of Molly Ivins (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 11 Sep 2019

What’s stimulating and fun about “Raise Hell” is quite stimulating and fun…

Review of Blue Note Records: Beyond the Notes (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 04 Sep 2019

A lot of jazz labels have mattered, but none has mattered the way Blue Note did — and, thanks to a proudly hip-hop-inflected present, still…

Review of Mike Wallace Is Here (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 31 Jul 2019

Belkin’s smart, dynamic documentary shares its subject’s slam-bang style. That’s good. Watching it is exhilarating…

Review of Sword of Trust (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 17 Jul 2019

Sword of Trust has a dogged weirdness all its own, a singularity that extends to Maron having written the excellently jangly score…

Review of The Proposal (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 26 Jun 2019

Magid has made a film that’s cool, assured, and understated. Someone should sign her up to direct a techno-thriller…

Review of The Last Black Man in San Francisco (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 14 Jun 2019

The movie is daring and unconventional. It’s daring in feeling so static, with a distinctive, unhurried rhythm…

Review of Echo in the Canyon (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 13 Jun 2019

Demonstrating a mastery of euphemism and understatement, Ringo recalls how the Byrds “introduced us to a hallucinogenic situation, and we…

Review of Men in Black: International (2019)

By Mark Feeney (434) for Boston Globe (6,852) on 11 Jun 2019

Although Hemsworth and Tessa Thompson aren’t at all bad together, neither do they strike sparks…

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Mark Feeney has written reviews for:

Boston Globe (6,852)
Slashfilm (971)

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