Movie Reviews by Leonardo Goi - Page 2 of 2

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Review of Dragged Across Concrete (2019)

By Leonardo Goi (38) for The Film Stage (3,162) on 03 Sep 2018

Where the new entry lacks in bloodshed and bone-splintering violence, it still confirms Zahler’s penchant for complicated characters, and…

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Review of At Eternity's Gate (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 02 Sep 2018

At Eternity’s Gate is a film made by an artist (“plates painter” Schnabel) less concerned with a painter, more with the way a painter…

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Review of A Star Is Born (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 30 Aug 2018

Credit for A Star is Born‘s heartwarming aura is owed less to Cooper’s own directing (assured and judicious a debut as it may be) than…

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Review of A Paris Education (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 29 Aug 2018

Whether or not the thought of following a self-absorbed wannabe filmmaker for 136 minutes has you buzzing with excitement, A Paris Education…

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Review of The Favourite (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 29 Aug 2018

Endlessly quotable and serendipitously timely — all the more so considering the whole project was conceived nine years ago — The Favourite…

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Review of First Man (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 28 Aug 2018

In its tragic undertones, complex psychological edifice, and claustrophobic visuals, First Man stands out, in both content and form, as a remarkable,…

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Review of Araby (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 15 Jul 2018

Judiciously gritty in its specifics, Araby’s scope is ecumenical…

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Review of Ava (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 26 Apr 2018

Foroughi’s assured debut remains a welcomed and insightful reminder that the patriarchy Ava struggles against is still alive and kicking…

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Review of Ava (2017)

By Leonardo Goi (38) for The Film Stage (3,162) on 25 Apr 2018

Foroughi's assured debut remains a welcomed and insightful reminder that the patriarchy Ava struggles against is still alive and kicking…

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Review of Ava (2017)

By Leonardo Goi (38) for The Film Stage (3,162) on 25 Apr 2018

Foroughi's assured debut remains a welcomed and insightful reminder that the patriarchy Ava struggles against is still alive and kicking…

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Review of A Violent Life (2017)

By Leonardo Goi (38) for The Film Stage (3,162) on 02 Apr 2018

A Violent Life has conjured up a judiciously shot drama that nonetheless feels as distant and at arm's length as the island and the generation…

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Review of Last Flag Flying (2017)

By Leonardo Goi (38) for CineVue (2,163) on 27 Dec 2017

Last Flag Flying lacks the organic flow of Linklater's earlier gems, and its profound anti-war sentiment is lost in a script that seems more…

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Review of The Leisure Seeker (2018)

By Leonardo Goi (38) for Cinema Scope (405) on 24 Oct 2017

Take The Leisure Seeker for what it is-namely, a predictable road movie, right down to the inevitable Bob Dylan soundtrack cuts…

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Review of mother! (2017)

By Leonardo Goi (38) for Cinema Scope (405) on 24 Oct 2017

Darren Aronofsky's awareness of his own directorial grandeur ultimately turns it into a self-referential, hallucinatory trip…

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Review of Manhunt (2017)

By Leonardo Goi (38) for Cinema Scope (405) on 24 Oct 2017

Manhunt as a wonderful throwback to the director's golden years, the film's unapologetically goofy energy may also help introduce new audiences…

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Review of Downsizing (2017)

By Leonardo Goi (38) for Cinema Scope (405) on 24 Oct 2017

The film works best when Payne exposes the egotism and self-righteousness of the small-world denizens; where it stalls a little is when the…

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Review of Mother (2017)

By Leonardo Goi (38) for Cinema Scope (405) on 24 Oct 2017

Darren Aronofsky's awareness of his own directorial grandeur ultimately turns it into a self-referential, hallucinatory trip…

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Review of Mother (2016)

By Leonardo Goi (38) for Cinema Scope (405) on 24 Oct 2017

Darren Aronofsky's awareness of his own directorial grandeur ultimately turns it into a self-referential, hallucinatory trip…

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Page 2 of 2

Leonardo Goi has written reviews for:

The Film Stage (3,162)
CineVue (2,163)
Cinema Scope (405)
MUBI (191)

Leonardo Goi is connected to:

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