Movie Reviews by Lee Marshall - Page 3 of 8

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Review of Invisible Life (2019)

By Lee Marshall (157) for Screen Daily (1,021) on 25 May 2019

Melodrama is a neglected genre, often delivered with a post-modern twist these days…

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Review of The Lighthouse (2019)

By Lee Marshall (157) for Screen Daily (1,021) on 20 May 2019

The Lighthouse provides a marvellous chamber-drama platform for two actors, Robert Pattinson and Willem Dafoe, who seize the opportunity with gusto…

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Review of The Lighthouse (2019)

By Lee Marshall (157) for Screen International (2,241) on 20 May 2019

The Lighthouse provides a marvellous chamber-drama platform for two actors, Robert Pattinson and Willem Dafoe, who seize the opportunity with gusto…

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Review of The Sower (2019)

By Lee Marshall (157) for Screen Daily (1,021) on 28 Feb 2019

If the village’s utter isolation feels unlikely, that’s because The Sower is in one sense a dream, the enactment of a myth that goes back…

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Review of Piranhas (2019)

By Lee Marshall (157) for Screen International (2,241) on 15 Feb 2019

Piranhas feels a bit like a teen movie that just happens to have a Cammora backdrop, rather than a serious, nuanced drama about the paranza…

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Review of Gully Boy (2019)

By Lee Marshall (157) for Screen International (2,241) on 14 Feb 2019

Singh busts rhymes with the best of them in this energetic, entertaining film that smuggles some urgent social themes in under the cover of…

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Review of What You Gonna Do When the World's on Fire? (2019)

By Lee Marshall (157) for Screen Daily (1,021) on 15 Sep 2018

Shot with grace and sensitivity in black and white using available and natural light, What You Gonna Do is a visual treat, the easiest on the…

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Review of Monrovia, Indiana (2018)

By Lee Marshall (157) for Screen International (2,241) on 10 Sep 2018

In its austere way, this is classic Wiseman, a film that takes us into the heart of a community and reveals its inner workings, comforts, fractures…

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Review of American Dharma (2019)

By Lee Marshall (157) for Screen Daily (1,021) on 08 Sep 2018

The result is a fascinating but also in some ways frustrating film, a game of tag that looks resoundingly cinematic but feels like more of…

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Review of Sunset (2019)

By Lee Marshall (157) for Screen Daily (1,021) on 03 Sep 2018

Can a film be baffling and rewarding at the same time…

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Review of The Favourite (2018)

By Lee Marshall (157) for Screen International (2,241) on 29 Aug 2018

The Favourite is one of those rare films where the energy generated by three talents at the top of their game and the energy generated by their…

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Review of Shoplifters (2018)

By Lee Marshall (157) for Screen International (2,241) on 18 May 2018

Some of the credit must go to the stellar casting and performances…

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Review of Capernaum (2018)

By Lee Marshall (157) for Screen International (2,241) on 17 May 2018

If it doesn’t tie many (or any) of these thematic strands with a neat bow, that’s in the nature of a film that chooses raw dramatic power…

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Review of Arctic (2018)

By Lee Marshall (157) for Screen Daily (1,021) on 14 May 2018

There’s plenty to admire in this trim, nearly dialogue-free 97-minute drama, not least Mads Mikkelsen’s raw performance as a downed airman…

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Review of Fahrenheit 451 (2018)

By Lee Marshall (157) for Screen International (2,241) on 12 May 2018

Lushly shot and stirringly scored, Bahrani's reboot is a decent stab at an update of Bradbury's 1953 novel for the social media age…

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Review of Sweet Country (2018)

By Lee Marshall (157) for Screen International (2,241) on 01 Apr 2018

One of the many pleasures of this understated drama is its slow-burn magnetism and lack of flashy genre posturing…

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Review of Cinderella the Cat (2017)

By Lee Marshall (157) for Screen International (2,241) on 12 Dec 2017

Gatta Cenerentola is on one level a noirish spin on a popular fable, but its real resonance derives from its stimulating contribution to a…

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Review of Brawl in Cell Block 99 (2017)

By Lee Marshall (157) for Screen International (2,241) on 22 Oct 2017

Vaughn brings a tenderness to the role of a man forced into animal violence for the sake of love and the miracle of birth, and the rangy anarchy…

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Review of Jim & Andy: The Great Beyond (2017)

By Lee Marshall (157) for Screen International (2,241) on 18 Oct 2017

It makes for powerful and stimulating viewing whether or not a game is being played with viewers…

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Review of Our Souls at Night (2017)

By Lee Marshall (157) for Screen International (2,241) on 16 Sep 2017

There’s an air of well-oiled, made-for-TV efficiency about the exercise that extends from Lunchbox director Ritesh Batra’s safe hand on…

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