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Kevin Maher

Last updated: 13 Jun 2026 at 17:43 UTC

Movie Reviews by Kevin Maher - Page 5 of 33

81-100 of 647 Reviews

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Review of Apostasy (2017)

By Kevin Maher (647) for Times (UK) (2,458) on 25 Jul 2018

Best of all, this isn't some seething satirical takedown of the Jehovah's Witnesses as a ridiculous and snicker-worthy denomination…

Review of Iceman (2017)

By Kevin Maher (647) for Times (UK) (2,458) on 25 Jul 2018

Wide mountain vistas and claims of painstaking authenticity fail to disguise the dopey genre underpinnings of this overfamiliar rape-and-revenge…

Review of Hotel Transylvania 3: Summer Vacation (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 25 Jul 2018

It's crass, culturally bankrupt cash-grabbing that celebrates the worst, most obnoxious aspects of a globally popular Hollywood genre (kids…

Review of Cocote (2017)

By Kevin Maher (647) for Times (UK) (2,458) on 25 Jul 2018

It's hard not to be annoyed by a competent and confident film that is deliberately alienating, yet this accomplished debut from the Dominican…

Review of Hotel Artemis (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 19 Jul 2018

The whole thing is painfully derivative (very John Wick), populated by two-dimensional ciphers...and drowned in overfamiliar comic-book noir style…

Review of Mamma Mia! Here We Go Again (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 16 Jul 2018

Somehow, somewhere deep within the first act, by the power of platforms, sequins and spandex, this irrepressible movie finds its feet…

Review of Mission: Impossible - Fallout (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 12 Jul 2018

The writer-director Christopher McQuarrie and his indefatigable leading man Tom Cruise deliver two and a half hours of cake-and-eat-it mayhem,…

Review of First Reformed (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 11 Jul 2018

Yet ultimately it's so good, and the attention to truthfulness so intense, that Schrader writes himself into a narrative dead end and to a…

Review of Marrowbone (2017)

By Kevin Maher (647) for Times (UK) (2,458) on 11 Jul 2018

The direction by Sergio G Sánchez is uneven, the narrative consistently illogical...and the final twist visible from early in the first act…

Review of Mario (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 11 Jul 2018

A committed central performance and a controversial subject...mostly left unexplored in cinema, as it is in life, are the two main reasons…

Review of Incredibles 2 (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 11 Jul 2018

The result is hugely entertaining and often visually audacious...yet it doesn't quite pack the emotional wallop of the original…

Review of Postcards from the 48% (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 08 Jul 2018

The narrative momentum, however, sits somewhere between stately and tiresome (it's simply too long)... However, the film is considered and thoughtful…

Review of Yellow Submarine (1968)

By Kevin Maher (647) for Times (UK) (2,458) on 05 Jul 2018

Be warned: kids will be thoroughly bored; arthouse fans and nostalgia lovers should be thrilled…

Review of Ideal Home (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 05 Jul 2018

Maybe it's all a meta joke? Or an ironic bad-taste prank? Let's hope so…

Review of In Darkness (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 05 Jul 2018

It feels like three long seasons of quality television squashed into one savagely overstuffed cinematic piñata…

Review of Mary Shelley (2017)

By Kevin Maher (647) for Times (UK) (2,458) on 04 Jul 2018

It's a story of super-heroism in disguise from the early 19th century, in a mostly London-set literary milieu that's captured with curious…

Review of Animal World (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 28 Jun 2018

It's also incredibly uneven, visually overworked and frequently substitutes noisy kinetic action for actual narrative momentum…

Review of Sicario: Day of the Soldado (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 28 Jun 2018

Brolin and Del Toro inhabit their flinty-eyed antiheroes with gusto and the film, directed by Stefano Sollima...is so convinced by the gravitas…

Review of Ryuichi Sakamoto: CODA (2017)

By Kevin Maher (647) for Times (UK) (2,458) on 28 Jun 2018

The documentary...is never busy, never intrusive, and glides along at a delicate pace, occasionally capturing painful footage of Sakamoto forcing…

Review of Leave No Trace (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 28 Jun 2018

Foster and McKenzie are admirably restrained, acting mostly without dialogue, but with grimaces and twitches, glances and nods…

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