Cinafilm has over 5 million movie reviews and counting …

About Us
Contact Us
Sitemap
Follow us onCinafilm - Twitter Cinafilm - Pinterest

Last updated: 26 Jul 2026 at 06:48 UTC

Movie Reviews by Keith Uhlich - Page 4 of 44

61-80 of 870 Reviews

Sort by:

Review of The Old Man & the Gun (2018)

By Keith Uhlich (870) for Slant Magazine (8,298) on 25 Sep 2018

David Lowery has a carefree, bordering on insubstantial touch, which gives rise to several rank absurdities…

Review of If Beale Street Could Talk (2018)

By Keith Uhlich (870) for Slant Magazine (8,298) on 23 Sep 2018

The film is at its most potent in the scenes where human frailty and the specter of injustice come more elliptically to the surface…

Review of White Rabbit (2018)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 22 Sep 2018

What spark there is in the movie comes in the scenes when Vivian and Nana are getting to know each other…

Review of Beautiful Boy (2018)

By Keith Uhlich (870) for Slant Magazine (8,298) on 17 Sep 2018

Felix Van Groeningen commendably sustains the story's profound sense of irresolution: abuse-rehab-relapse, abuse-rehab-relapse, abuse-rehab-relapse—an…

Review of Hold the Dark (2018)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 12 Sep 2018

The mystery surrounding the Slones and their missing child is much less interesting than Core's burgeoning friendship with the local sheriff,…

Review of Donnybrook (2018)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 11 Sep 2018

Sutton is aiming to make a grand statement about America's downtrodden, and he never lets you forget it…

Review of Greta (2019)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 09 Sep 2018

The filmmaker's expressively cockeyed impulses soon take over (he's ably assisted by the terrific cinematographer Seamus McGarvey), and the…

Review of Halloween (2018)

By Keith Uhlich (870) for Slant Magazine (8,298) on 08 Sep 2018

For all of the film’s attempts to get back to the sinisterly sidling Michael of the first Halloween, his stealth movements no longer terrify…

Review of A Star Is Born (2018)

By Keith Uhlich (870) for Slant Magazine (8,298) on 07 Sep 2018

Bradley Cooper understands that a message is only as resonant as its messenger, so he surrounds himself with collaborators, old and new, who…

Review of Free Solo (2018)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 02 Sep 2018

This is in many ways a white-knuckle brand extension for Honnold above all else. Still, the film frequently treads into knotty territory…

Review of The Little Stranger (2018)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 29 Aug 2018

Gleeson plays the role with the kind of full-bore commitment (every supercilious gesture precise and intelligently thought through) that makes…

Review of Hale County This Morning, This Evening (2018)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 28 Aug 2018

At its strongest, the film feels like kin to Kirsten Johnson’s great Cameraperson (2016), a free-associative nonfiction memoir comprised…

Review of Crime + Punishment (2018)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 20 Aug 2018

Stephen Maing's documentary about the NYPD's illegal policing quotas and other discriminatory practices gets the blood boiling…

Review of Puppet Master: The Littlest Reich (2018)

By Keith Uhlich (870) for Slant Magazine (8,298) on 12 Aug 2018

It all feels cheap and looks cheap, a far cry from what S. Craig Zahler can do when overseeing both a film's words as well as its images…

Review of Mission: Impossible - Fallout (2018)

By Keith Uhlich (870) for Slant Magazine (8,298) on 11 Jul 2018

As in Rogue Nation, Fallout‘s action scenes are cleanly composed and easy to follow, and so abundant as to become monotonous…

Review of Chained for Life (2019)

By Keith Uhlich (870) for Hollywood Reporter (2,966) on 27 Jun 2018

Chained for Life expands on the idea of difference as a humanizing catalyst, and cinema is its playground…

Review of Hereditary (2018)

By Keith Uhlich (870) for Slant Magazine (8,298) on 04 Jun 2018

In writer-director Ari Aster's smugly agitating feature debut, the devil is certainly in the hackneyed details…

Review of Middle Men (2009)

By Keith Uhlich (870) for Time Out (7,510) on 14 May 2018

This highly fictionalized look at the Wild West early days of Internet porn is off-putting in almost every way, with sledgehammer stylistic…

Review of Black Narcissus (1947)

By Keith Uhlich (870) for Time Out (7,510) on 10 May 2018

For Powell and Pressburger, the personal and the political—much like their distinctive mix of high and low artistry—weren’t separate…

Review of Breaking In (2018)

By Keith Uhlich (870) for Hollywood Reporter (2,966) on 09 May 2018

Union certainly dedicates herself to all the huffing, running, jumping and emoting, though her efforts never counter Breaking In’s aura of…

1
...
3
4
5
...
44

Page 4 of 44

Keith Uhlich has written reviews for:

Keith Uhlich is connected to:

Share This Page

Share

Tweet

Popular Movies Right Now

2022

56%11 Reviews

2021

74%254 Reviews

2022

68%181 Reviews

2018

76%696 Reviews

2019

88%251 Reviews

2022

47%33 Reviews

2015

54%174 Reviews

2019

76%68 Reviews

Once Upon a Time... in Hollywood

2019

81%344 Reviews

2022

70%145 Reviews

Movies You Viewed Recently

1990

72%736 Reviews

Get social with CinafilmFollow us for reviews of the latest moviesCinafilm - Twitter Cinafilm - Pinterest Cinafilm - RSS

© 2026 Cinafilm Internet Productions

Prime Video logo is a trademark of Amazon.com, Inc. or its affiliates

Our website support team can be reached by email at [email protected], or by phoning +44 3300 431 396

Cinafilm IP, Office 12693, PO Box 15113, Birmingham, West Midlands, B2 2NJ, United Kingdom