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Katie Walsh

Last updated: 15 Jun 2026 at 16:59 UTC

Movie Reviews by Katie Walsh - Page 5 of 64

81-100 of 1,279 Reviews

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Review of Lyle, Lyle, Crocodile (2022)

By Katie Walsh (1,279) for St. Louis Post-Dispatch (1,715) on 07 Oct 2022

Pasek and Paul’s songs end up having to do much of the emotional heavy lifting, and the rest of the film feels cobbled together from random…

Review of Smile (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 29 Sep 2022

Bacon’s performance as well as Finn’s detailed craft manage to hold tension, and the audience’s attention, for the hour and 55 minute…

Review of Smile (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 29 Sep 2022

Bacon’s performance as well as Finn’s detailed craft manage to hold tension, and the audience’s attention, for the hour and 55 minute…

Review of Smile (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 29 Sep 2022

Bacon’s performance as well as Finn’s detailed craft manage to hold tension, and the audience’s attention, for the hour and 55 minute…

Review of Smile (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 29 Sep 2022

Bacon’s performance as well as Finn’s detailed craft manage to hold tension, and the audience’s attention, for the hour and 55 minute…

Review of Smile (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 29 Sep 2022

Bacon’s performance as well as Finn’s detailed craft manage to hold tension, and the audience’s attention, for the hour and 55 minute…

Review of Smile (2023)

By Katie Walsh (1,279) for The Seattle Times (964) on 29 Sep 2022

Bacon’s performance as well as Finn’s detailed craft manage to hold tension, and the audience’s attention, for the hour and 55 minute…

Review of The Greatest Beer Run Ever (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 29 Sep 2022

Though the messaging is a bit flat-footed, it’s nonetheless effective, and clearly deeply felt, and it brings a sense of significance to…

Review of SMILE (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 29 Sep 2022

Bacon’s performance as well as Finn’s detailed craft manage to hold tension, and the audience’s attention, for the hour and 55 minute…

Review of God's Creatures (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 28 Sep 2022

The filmmaking craft on display and the control over the storytelling and suspense is exceptional…

Review of Catherine Called Birdy (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 27 Sep 2022

Catherine Called Birdy is Dunham’s best writing and directing work yet; it’s an easy breezy, emotional good time, and an instant teen classic…

Review of From the Hood to the Holler (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 15 Sep 2022

It’s not just one film, or one election, or one win — it’s a movement, as the energized subjects keep repeating…

Review of The Woman King (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 15 Sep 2022

At the center, the true general, Prince-Bythewood, marshals every aspect of The Woman King in concert, conducting action, thrills and emotion…

Review of The Silent Twins (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 15 Sep 2022

It is a beautiful blend of unforgettable physical performance and visual lyricism brought to bear on the tragic life story of the Gibbons twins,…

Review of My Policeman (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 12 Sep 2022

The 1990s framing device keeps pulling us out of the 1950s love story, sapping its power…

Review of Medieval (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 08 Sep 2022

Medieval is a film with an identity crisis, caught between its lowbrow sword-and-splatter charms and grander ambitions…

Review of Barbarian (2022)

By Katie Walsh (1,279) for St. Louis Post-Dispatch (1,715) on 07 Sep 2022

Cregger slowly builds bone-chilling and suspenseful sequences up to screechingly operatic moments of face-melting horror, and then swiftly…

Review of Burial (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 01 Sep 2022

It’s brutal and exceedingly bloody, as one would expect from this kind of lean genre picture…

Review of Burial (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 01 Sep 2022

It’s brutal and exceedingly bloody, as one would expect from this kind of lean genre picture…

Review of Burial (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 01 Sep 2022

It’s brutal and exceedingly bloody, as one would expect from this kind of lean genre picture…

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