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Katie Walsh

Last updated: 25 Jun 2026 at 11:31 UTC

Movie Reviews by Katie Walsh - Page 34 of 64

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Review of Kaleidoscope (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 07 Dec 2017

Kaleidoscope is brilliantly crafted and performed, but it’s a bit too taken with its own muddling of facts and form to truly hook into…

Review of I, Tonya (2017)

By Katie Walsh (1,279) for Tribune News Service (1,102) on 05 Dec 2017

Dives into the swirling narratives surrounding the scandal-prone figure skater, and dredges up something that ultimately, feels real…

Review of Princess Cyd (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 30 Nov 2017

As comfortable to slip into as an afternoon in the sun, as satisfying as a late-night piece of cake, Princess Cyd is a jewel of a film that…

Review of The New Radical (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 30 Nov 2017

Ultimately, it feels irresponsible to remain unwilling to take a stand on this extreme abstract rhetoric in support of an all too real and…

Review of Dark Meridian (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 30 Nov 2017

This debut effort from Hickman lacks the dramatic tension and connective tissue to truly compel, but his gritty, high-energy aesthetic can…

Review of The Disaster Artist (2017)

By Katie Walsh (1,279) for Tribune News Service (1,102) on 30 Nov 2017

In a kooky yet vulnerable and heartfelt performance, Franco gets right at the heart of what makes Wiseau a true hero - his sheer willingness…

Review of Darkest Hour (2017)

By Katie Walsh (1,279) for Tribune News Service (1,102) on 28 Nov 2017

While Darkest Hour is a showcase for Oldman's incredible performance, Wright's aesthetic visually transports the viewer, the images heavy with…

Review of Bitch (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 22 Nov 2017

For a film that’s incredibly angry and blackly comic, it finally, and surprisingly, makes a case for compassion and understanding…

Review of Bitch (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 22 Nov 2017

For a film that’s incredibly angry and blackly comic, it finally, and surprisingly, makes a case for compassion and understanding…

Review of Bitch (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 22 Nov 2017

For a film that’s incredibly angry and blackly comic, it finally, and surprisingly, makes a case for compassion and understanding…

Review of Three Billboards Outside Ebbing, Missouri (2017)

By Katie Walsh (1,279) for Tribune News Service (1,102) on 21 Nov 2017

A barn burner, a bracing shot of whiskey downed while spoiling for a fight, a cathartic wail against the zeitgeist of rape culture and state…

Review of Coco (2017)

By Katie Walsh (1,279) for Tribune News Service (1,102) on 21 Nov 2017

Coco uses the vibrant colors and style of the holiday to spin an imaginative tale rich in tradition and culture, while beautifully celebrating family…

Review of Almost Friends (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 16 Nov 2017

For all of the mini-melodramas that populate this tale, and the repellent ickiness in the central relationship, the worst part about Almost…

Review of Soufra (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 16 Nov 2017

To consider the long-standing Bourj al Barajneh is to consider the true humanity of refugees, who have hopes, dreams, lives to live and work…

Review of Justice League (2017)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 15 Nov 2017

The breathtakingly bad Justice League, with its corny banter and terrible effects just might signify a return to that goofy Batman form…

Review of Art Show Bingo (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 13 Nov 2017

Art Show Bingo might be sweet, but it's dramatically inert…

Review of Daddy's Home 2 (2017)

By Katie Walsh (1,279) for Tribune News Service (1,102) on 10 Nov 2017

The surreal and silly sequel to the hit 2015 comedy skates on the well-known but still-appealing comic personas of stars Will Ferrell and Mark…

Review of It Happened in L.A. (2017)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 09 Nov 2017

Morgan’s arch script about the doomed love lives of the young, rich and idle in L.A. is at times a Whit Stillman-esque social satire…

Review of Murder on the Orient Express (2017)

By Katie Walsh (1,279) for Tribune News Service (1,102) on 07 Nov 2017

The beginning is a rollicking ride that will likely leave audiences craving more Christie, and here's hoping we do see Branagh return as Poirot…

Review of Lady Bird (2017)

By Katie Walsh (1,279) for Tribune News Service (1,102) on 03 Nov 2017

A finely wrought, deeply felt mash note to Gerwig's hometown of Sacramento, and the rare film about teenage life that puts equal weight on…

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