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Katie Walsh

Last updated: 19 Jun 2026 at 11:58 UTC

Movie Reviews by Katie Walsh - Page 10 of 64

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Review of Reminiscence (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 19 Aug 2021

The modern noir style and genre innovation are such a neat cinematic twist that it’s a bit of a letdown that the world doesn’t always feel…

Review of Free Guy (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 12 Aug 2021

Reynolds is a bit too glib and smug to buy as the romantic lead…

Review of Jolt (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 01 Aug 2021

Written by Scott Wascha, the script is simultaneously crude, rude and whip-smart…

Review of Paper Spiders (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 22 Jul 2021

Taylor plays Dawn’s slide into this mental health crisis beautifully, and with conviction, and Owen is stunning as the high-achieving, yet…

Review of Joe Bell (2020)

By Katie Walsh (1,279) for The Seattle Times (964) on 22 Jul 2021

Joe Bell is a tale of emotional redemption for a man who relearns what it means to “be a man,” and his moments of triumph are the quietest ones…

Review of Space Jam: A New Legacy (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 16 Jul 2021

It wants to comment on the algorithms that rule our lives, spewing constantly recycled content at us seemingly at random, but it is exactly…

Review of Escape Room: Tournament of Champions (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 15 Jul 2021

Escape Room: Tournament of Champions is a pastiche of its predecessors, using this mosaic of tropes and formula familiarity as a shorthand…

Review of Asia (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 02 Jul 2021

Pribar’s humane and heartbreaking drama is beautifully photographed and performed; a loving, warm, and even sexy film about death and dying…

Review of Zola (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 01 Jul 2021

Zola’s authorship and Bravo’s respect for her storytelling make Zola a wholly original experience…

Review of The Forever Purge (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 30 Jun 2021

DeMonaco and Gout cook up such delicious comeuppance that you can’t help but indulge in the pleasure of revenge, even if the terrors and…

Review of False Positive (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 24 Jun 2021

Lee (who directed episodes of “Broad City”) and Glazer swerve from comedy to horror, using the genre as a vehicle for social commentary…

Review of F9 (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 23 Jun 2021

In F9, bonkers on top of bonkers results in a truly delightful and vividly sensorial time at the movies…

Review of Hitman's Wife's Bodyguard (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 16 Jun 2021

Some may enjoy the cacophonous, raunchy, lowest-common-denominator dreck that The Hitman’s Wife’s Bodyguard has to offer…

Review of Censor (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 11 Jun 2021

Censor is a bold artistic statement, inspired by the history of its own genre, though it’s not an uncritical assertion, posing complicated…

Review of Holler (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 10 Jun 2021

[Barden] becomes the vessel to express Riegel’s quiet cri de coeur, which is not just yearning to escape one’s own circumstances but the…

Review of Spirit Untamed (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 04 Jun 2021

Spirit Untamed is a sweet film with a moving message about embracing family, heritage and most importantly, yourself, just the way you are,…

Review of The Conjuring: The Devil Made Me Do It (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 04 Jun 2021

Johnson-McGoldrick’s facility with both the tropes of the Conjuring films, and the Warren’s relationship, keeps the film swift and emotionally…

Review of A Quiet Place Part II (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 28 May 2021

What’s so maddening about A Quiet Place Part II is the unused potential…

Review of The Dry (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 21 May 2021

At times, it can feel a bit like “Clue” with so many plausible characters and motives swirling around and around, but Bana keeps it grounded,…

Review of Spring Blossom (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 20 May 2021

Lindon’s youth is remarkable, because her point of view on the experience of the teenage girl is so immediate…

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