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Katie Rife

Last updated: 24 Jul 2026 at 23:54 UTC

Movie Reviews by Katie Rife - Page 3 of 23

41-60 of 451 Reviews

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Review of The Whale (2022)

By Katie Rife (451) for Polygon (677) on 13 Sep 2022

In The Whale, Aronofsky posits his sadism as an intellectual experiment, challenging viewers to find the humanity buried under Charlie’s…

Review of Emily the Criminal (2022)

By Katie Rife (451) for Polygon (677) on 18 Aug 2022

As a crime thriller, Emily the Criminal is well-written and absorbingly paced, but it’s Plaza’s fearless work that makes it memorable…

Review of Girl Picture (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 12 Aug 2022

While Girl Picture isn’t necessarily breaking any new ground, this sensitively rendered dramedy invites viewers into the world of three young…

Review of Easter Sunday (2022)

By Katie Rife (451) for Rolling Stone (4,035) on 05 Aug 2022

It’s clear that Jo Koy loves his relatives, and wants the world to know it…

Review of Mija (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 05 Aug 2022

Mija weaves a more nuanced emotional tapestry than is typically seen in immigration stories like this one…

Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

Review of Résurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

Review of Medusa (2022)

By Katie Rife (451) for IndieWire (3,631) on 28 Jul 2022

Da Silviera’s vision of bubblegum fascism is compelling, and Medusa sucks viewers in right away…

Review of Medusa (2022)

By Katie Rife (451) for IndieWire (3,631) on 28 Jul 2022

Da Silviera’s vision of bubblegum fascism is compelling, and Medusa sucks viewers in right away…

Review of Medusa (2021)

By Katie Rife (451) for IndieWire (3,631) on 28 Jul 2022

Da Silviera’s vision of bubblegum fascism is compelling, and Medusa sucks viewers in right away…

Review of Spiderhead (2022)

By Katie Rife (451) for Polygon (677) on 13 Jun 2022

In spite of the dystopian premise, Kosinski brings a light touch to Spiderhead…

Review of After Blue (Dirty Paradise) (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 03 Jun 2022

After Blue advertises itself as a sci-fi/fantasy epic, and although it’s a long and complicated story with many elaborate settings, it ends…

Review of Torn Hearts (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 20 May 2022

If Torn Hearts had pushed itself a little harder, it could have ascended into camp heaven, and maybe become a cult classic…

Review of Firestarter (2022)

By Katie Rife (451) for Polygon (677) on 13 May 2022

Firestarter 2022 is a marginal improvement on the ’84 original, if only because it has a handful of redeeming qualities rather than virtually…

Review of Escape the Field (2022)

By Katie Rife (451) for Polygon (677) on 06 May 2022

While efficiency and originality are both pluses in genre filmmaking, neither of them should come at the expense of creating an immersive world…

Review of Shepherd (2022)

By Katie Rife (451) for Polygon (677) on 05 May 2022

Shepherd is more of a bandwagon-jumping exercise in arthouse horror films about grief than a truly bone-chilling example of one…

Review of 365 Days: This Day (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 29 Apr 2022

365 Days: This Day is barely a movie…

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Page 3 of 23

Katie Rife has written reviews for:

The A.V. Club (5,644)
RogerEbert.com (5,563)
Rolling Stone (4,035)
Indiewire (3,631)
AV Club (2,778)
IGN (1,013)
Polygon (677)

Katie Rife is connected to:

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