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Last updated: 05 Jun 2026 at 14:05 UTC

Movie Reviews by Kate Erbland - Page 21 of 35

401-420 of 681 Reviews

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Review of Ava (2017)

By Kate Erbland (681) for indieWire (3,631) on 26 Apr 2018

Foroughi finds the balance in an overwrought situation…

Review of The Party's Just Beginning (2018)

By Kate Erbland (681) for IndieWire (3,631) on 26 Apr 2018

Set in Gillan’s own hometown of Inverness, the film uses the tragic history of the Scottish Highlands (which has the highest suicide rate…

Review of The Rachel Divide (2018)

By Kate Erbland (681) for indieWire (3,631) on 24 Apr 2018

How you view her and her lies is meant to say something about you…

Review of Dude (2018)

By Kate Erbland (681) for indieWire (3,631) on 18 Apr 2018

Milch and co-writer Kendall McKinnon don’t actively buck humorous situations — the film is a comedy at its heart, deep, deep down — but…

Review of The Rider (2018)

By Kate Erbland (681) for Indiewire (3,631) on 02 Apr 2018

Utilizing a cast of non-actors — most of whom are tasked with playing versions of themselves, in a story pulled from their lives — Zhao’s…

Review of Eighth Grade (2018)

By Kate Erbland (681) for Indiewire (3,631) on 28 Mar 2018

At every turn, Fisher is honest and open, relatable to the point that you feel as if you’re actually watching her own life play out…

Review of Puzzle (2018)

By Kate Erbland (681) for IndieWire (3,631) on 24 Mar 2018

Puzzle toes a tough line, managing to stay relentlessly good-hearted and deeply humane, even as Agnes herself plunges into deeper, more dramatic…

Review of Unlovable (2018)

By Kate Erbland (681) for IndieWire (3,631) on 16 Mar 2018

It’s a fluffy spin on the recovery genre, but it’s a fresh one, and deGuzman’s hard-won life experience adds veracity and honesty to…

Review of Tomb Raider (2018)

By Kate Erbland (681) for Indiewire (3,631) on 14 Mar 2018

When Tomb Raider digs into its more creative action, it’s about as entertaining as popcorn entertainment gets these days…

Review of Sadie (2018)

By Kate Erbland (681) for indieWire (3,631) on 12 Mar 2018

Schloss compellingly combines the rangy wildness of hormonal teenagehood with Sadie’s more terrifying instincts, toeing the line between…

Review of RBG (2018)

By Kate Erbland (681) for Indiewire (3,631) on 09 Mar 2018

Ginsburg’s life — and its many lessons, both learned and taught — come to entertaining and energetic life…

Review of The Strangers: Prey at Night (2018)

By Kate Erbland (681) for Indiewire (3,631) on 08 Mar 2018

The only thing scarier than Prey at Night is the possibility that we might have to wait another decade for more of its very special mask-faced chills…

Review of Gringo (2018)

By Kate Erbland (681) for Indiewire (3,631) on 08 Mar 2018

Aussie director Nash Edgerton loads up on some of his signatures, including lots of bad guys, tons of twists, and a dark sense of humor…

Review of Searching (2018)

By Kate Erbland (681) for Indiewire (3,631) on 02 Mar 2018

Despite the specificity of its story and the manner in which its told, the issues at hand remain universal, including David’s struggle to…

Review of Every Day (2018)

By Kate Erbland (681) for Indiewire (3,631) on 22 Feb 2018

Set aside the contrivances and creepy plot twists, and Michael Suscy’s Every Day offers up a timely message about acceptance and the nature…

Review of Lizzie (2018)

By Kate Erbland (681) for Indiewire (3,631) on 11 Feb 2018

Repetition grinds Lizzie to a halt, and the film lacks anything resembling energy, cycling through the same beats until something happens only…

Review of On Chesil Beach (2018)

By Kate Erbland (681) for Indiewire (3,631) on 02 Feb 2018

On Chesil Beach offers up so many tricky tonal changes, enough that Cooke eventually gives them over to a single note: limp…

Review of Burden (2018)

By Kate Erbland (681) for indieWire (3,631) on 31 Jan 2018

As Burden, Garrett Hedlund astonishes in a nuanced portrait of a man resistant to change, until he finally comes to understand that hatred…

Review of Beirut (2018)

By Kate Erbland (681) for IndieWire (3,631) on 24 Jan 2018

Anderson does add some style to the film, doing wonders with an indie-sized budget for a film that requires a specific period setting…

Review of Ophelia (2019)

By Kate Erbland (681) for indieWire (3,631) on 23 Jan 2018

McCarthy’s film, based on Lisa Klein’s 2006 novel of the same name, takes its best ideas (and its best performers) and traps them in a…

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Page 21 of 35

Kate Erbland has written reviews for:

The Playlist (3,871)
Indiewire (3,631)
Boxoffice Magazine (2,896)
Film.com (1,892)
The Dissolve (1,478)
Film School Rejects (1,198)
MSN Movies (470)

Kate Erbland is connected to:

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