Movie Reviews by Kate Erbland - Page 16 of 35

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Review of Never Rarely Sometimes Always (2020)

By Kate Erbland (681) for IndieWire (3,631) on 25 Jan 2020

Yes, it’s a searing examination of the current state of this country’s finicky abortion laws and the medical professionals tasked with…

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Review of Cuties (2020)

By Kate Erbland (681) for IndieWire (3,631) on 25 Jan 2020

Although Doucouré steeps Cuties in emotion and experience, she abandons its grace to make crazier gestures…

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Review of Cuties (2020)

By Kate Erbland (681) for IndieWire (3,631) on 25 Jan 2020

Although Doucouré steeps Cuties in emotion and experience, she abandons its grace to make crazier gestures…

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Review of The Fight (2020)

By Kate Erbland (681) for IndieWire (3,631) on 25 Jan 2020

What starts as a blandly divided documentary eventually finds its way to something inspiring, infuriating, and unbounded by old ideas…

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Review of The Grudge (2019)

By Kate Erbland (681) for IndieWire (3,631) on 02 Jan 2020

Brief moments of brilliance, including a riveting performance by Riseborough and a number of gorgeous frames, only shine with momentary appeal…

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Review of Spies in Disguise (2019)

By Kate Erbland (681) for IndieWire (3,631) on 16 Dec 2019

While the beats are familiar and even a film about animated pigeons can’t quite break out of the tropes that have long defined the spy film…

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Review of 6 Underground (2019)

By Kate Erbland (681) for IndieWire (3,631) on 11 Dec 2019

The explosions might not be as big on the streaming screen, but they’re as bonkers as ever…

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Review of Jumanji: The Next Level (2019)

By Kate Erbland (681) for IndieWire (3,631) on 10 Dec 2019

The Next Level” attempts to find a balance between winking jokes about video gameplay and the price of immortality (no, really), settling…

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Review of Togo (2019)

By Kate Erbland (681) for IndieWire (3,631) on 08 Dec 2019

The film really hits hard when it leans more into the emotion of it all…

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Review of 1917 (2019)

By Kate Erbland (681) for IndieWire (3,631) on 25 Nov 2019

The clock is always ticking in 1917, and even as MacKay is offering a heartbreaking study in restrained emotion, he’s still at least moving…

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Review of Little Women (2019)

By Kate Erbland (681) for IndieWire (3,631) on 25 Nov 2019

Gerwig’s adaptation looks at the eponymous little women through ambitious storytelling techniques that modernize the book’s timeless story…

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Review of 21 Bridges (2019)

By Kate Erbland (681) for IndieWire (3,631) on 18 Nov 2019

Little of 21 Bridges ends up being that shocking — it’s tough going when the face a character makes after accepting a phone call can so…

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Review of Frozen II (2019)

By Kate Erbland (681) for IndieWire (3,631) on 14 Nov 2019

No sequel is essential, but Frozen 2 makes the argument that, even in the fairy tale land of Disney, they can still be important…

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Review of Noelle (2019)

By Kate Erbland (681) for IndieWire (3,631) on 12 Nov 2019

Noelle is the sort of film destined to be discarded, a cheap holiday tchotchke with no staying power…

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Review of Last Christmas (2019)

By Kate Erbland (681) for IndieWire (3,631) on 06 Nov 2019

Little about Last Christmas is that surprising, but as Hollywood continues to grapple with the idea that the rom-com still has legs and audiences…

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Review of Countdown (2019)

By Kate Erbland (681) for IndieWire (3,631) on 24 Oct 2019

The movie arrives at an eye-roll inducing final twist, and hints at an inevitable sequel. But this app isn't exactly begging for an upgrade…

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Review of Paradise Hills (2019)

By Kate Erbland (681) for IndieWire (3,631) on 24 Oct 2019

Paradise Hills posits that its entire world is a shell game built on outdated ideas and a resistance to originality, but it’s the film itself…

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Review of Zombieland: Double Tap (2019)

By Kate Erbland (681) for IndieWire (3,631) on 16 Oct 2019

Despite the good vibes and amiable callbacks to the previous film, “Zombieland: Double Tap” is only ever amusing when it’s breaking new…

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Review of Greener Grass (2019)

By Kate Erbland (681) for IndieWire (3,631) on 15 Oct 2019

DeBoer and Luebbe have further expanded their nutty vision of suburban ennui and the painful consequences of keeping up with the status quo…

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Review of The Sky Is Pink (2019)

By Kate Erbland (681) for IndieWire (3,631) on 10 Oct 2019

While the film’s first half boasts universally strong performances (even babyAisha gets some screen time), it’s Chopra Jonas who emerges…

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Page 16 of 35

Kate Erbland has written reviews for:

The Playlist (3,871)
Indiewire (3,631)
Boxoffice Magazine (2,896)
Film.com (1,892)
The Dissolve (1,478)
Film School Rejects (1,198)
MSN Movies (470)

Kate Erbland is connected to:

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