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Last updated: 08 Jun 2026 at 08:14 UTC

Movie Reviews by Kate Erbland - Page 12 of 35

221-240 of 681 Reviews

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Review of Enola Holmes (2020)

By Kate Erbland (681) for IndieWire (3,631) on 07 Sep 2020

Enola Holmes doesn’t just use its heroine as a cute way to nod at progressive thinking; it fully embraces a story that is, at its heart,…

Review of Mulan (2020)

By Kate Erbland (681) for IndieWire (3,631) on 03 Sep 2020

Mulan is perhaps the best example of how to marry the original with something fresh…

Review of Centigrade (2020)

By Kate Erbland (681) for IndieWire (3,631) on 27 Aug 2020

The situation is dire, and while Centigrade eventually spins off into some well-worn tropes and predictable twists, the strength of its clever…

Review of All Together Now (2020)

By Kate Erbland (681) for IndieWire (3,631) on 26 Aug 2020

Haley’s tender approach may not sting, but it does leave a mark…

Review of Words on Bathroom Walls (2020)

By Kate Erbland (681) for IndieWire (3,631) on 20 Aug 2020

Eager to split the difference between age-appropriate entertainment and raw honesty, Words on Bathroom Walls hedges a bit in its final act,…

Review of The Sleepover (2020)

By Kate Erbland (681) for IndieWire (3,631) on 19 Aug 2020

Softer and safer than a close cousin like “Adventures in Babysitting,” The Sleepover zips between its adult storyline and the wacky hi-jinks…

Review of The One and Only Ivan (2020)

By Kate Erbland (681) for IndieWire (3,631) on 18 Aug 2020

It builds to a conclusion that, like the best parts of this film, combines movie-magic whimsy with hard-won realism, slipping some very grown-up…

Review of Magic Camp (2020)

By Kate Erbland (681) for IndieWire (3,631) on 14 Aug 2020

It’s about nice kids embracing their nerdiest passions, but Magic Camp can’t conjure up enough zing to put on the kind of show they deserve,…

Review of Project Power (2020)

By Kate Erbland (681) for IndieWire (3,631) on 13 Aug 2020

It’s a lot for one film, and Project Power never revs up enough gusto to power through its biggest, best ideas and deliver on their promise…

Review of Spinster (2019)

By Kate Erbland (681) for IndieWire (3,631) on 13 Aug 2020

The film’s inherent messiness and unpredictability eventually settles into more expected charms, but Spinster is at its most appealing when…

Review of Endless (2020)

By Kate Erbland (681) for IndieWire (3,631) on 11 Aug 2020

Even at a slim 95 minutes, Endless grinds on endlessly…

Review of Endless (2020)

By Kate Erbland (681) for IndieWire (3,631) on 11 Aug 2020

Even at a slim 95 minutes, Endless grinds on endlessly…

Review of Work It (2020)

By Kate Erbland (681) for IndieWire (3,631) on 06 Aug 2020

The expectations of the genre provide a framework for Work It that both delights (so many dancing montages! all of them fun…

Review of The Secret Garden (2020)

By Kate Erbland (681) for IndieWire (3,631) on 06 Aug 2020

This film is not the best representation of Burnett’s works, which toed the line between the magical and the painful — but in the moments…

Review of Summerland (2020)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jul 2020

While much of what Swale has crafted here is familiar, the film’s loving tone and Arterton’s compelling performance recommend it, and the…

Review of Summerland (2020)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jul 2020

While much of what Swale has crafted here is familiar, the film’s loving tone and Arterton’s compelling performance recommend it, and the…

Review of I Used to Go Here (2020)

By Kate Erbland (681) for IndieWire (3,631) on 28 Jul 2020

Armed with her funniest material to date and a winning performance from Gillian Jacobs, the filmmaker finds new dimensions for both her work…

Review of The Kissing Booth 2 (2020)

By Kate Erbland (681) for IndieWire (3,631) on 24 Jul 2020

While it offers some necessary growth for all of its characters, The Kissing Booth 2 can never resist looking and acting like dozens of other…

Review of Amulet (2020)

By Kate Erbland (681) for IndieWire (3,631) on 23 Jul 2020

It’s an impressive first feature, and while fans of zippy midnight movies might balk at its slow-burn opening act, the film eventually builds…

Review of Yes, God, Yes (2020)

By Kate Erbland (681) for IndieWire (3,631) on 22 Jul 2020

While Maine’s witty script is filled with more than enough sequences primed to get laughs out of any audience (with Dyer turning in a charming…

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Kate Erbland has written reviews for:

The Playlist (3,871)
Indiewire (3,631)
Boxoffice Magazine (2,896)
Film.com (1,892)
The Dissolve (1,478)
Film School Rejects (1,198)
MSN Movies (470)

Kate Erbland is connected to:

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